Showing posts with label Roy Bittan. Show all posts
Showing posts with label Roy Bittan. Show all posts

Saturday, 30 May 2026

Heartland Rock Piano

As the piano is my favourite instrument and I listen to a lot of heartland rock, I decided to write an article discussing the heartland rock piano sound. I mention the use of piano in heartland rock songs ranging from big hits to album tracks. I’ll start with the song “American Storm” by Bob Seger & The Silver Bullet Band. Bill’s piano contributes wonderfully to the full band sound with his playing. The piano notes go up the scale in a very heartland rock way. In their other song “The Ring”, it’s led by the piano of Silver Bullet Band keyboardist Craig Frost. Craig brings an epic feel with his playing and has two solos. The Ring fuses heartland rock with pop rock.

The Ring - Bob Seger & The Silver Bullet Band (1986)

Tom Petty & The Heartbreakers had a piano-driven hit “Don't Do Me Like That”. Keyboardist Benmont Tench gives a memorable jolly piano part. Nearly a decade later, their song “Jammin’ Me” is a different type of heartland rock song. Benmont brings rock & roll piano sounds into a heartland rock setting. I love what the piano does in the chorus. In Billy Joel’s hit “Allentown”, he leads the song greatly with his piano playing. There is a great piano riff throughout the song.

Don’t Do Me Like That - Tom Petty & The Heartbreakers (1979)

Cleveland heartland rock singer Michael Stanley had released music both with the Michael Stanley Band and solo. When keyboardist Kevin Raleigh joined the band, he was a songwriter and co-lead singer. The songs I’m featuring have two keyboardists Kevin Raleigh and Bob Pelander. They both contributed piano and I don’t know who was the piano player for each song. I wonder if Kevin played piano on the songs he wrote and Bob played the piano on the songs Michael wrote. Last Night, written by both Michael and Kevin is opened by the piano which has a majestic presence on this song. There is a section in the song where the piano notes go up and down in an epic rocking way.

Last Night - Michael Stanley Band (1979)

Promises, a Kevin Raleigh written song has the verses sung by Michael with the choruses seemingly sung by both Kevin and Michael. The piano is lively and energetic. There is a nice glissando after the first chorus. The song “Lover” has a nice piano riff which comes in following the guitar intro. The piano part isn’t the loudest, but it contributes greatly to the song’s sound. My Town is an epic rocker about Michael’s hometown. While this is a guitar-driven song, the piano provides good support including prominent notes during the choruses. How Can You Call This Love written and sung by Kevin has powerful rocking piano playing. The piano goes fast with deep notes.

How Can You Call This Love - Michael Stanley Band (1983)

Bruce Springsteen’s piano player Roy Bittan played wonderful jolly piano on Bruce’s hits “Hungry Heart” and “Glory Days’. Roy gives those songs a great upbeat feel with his playing. Singer Southside Johnny’s song “It’s Been a Long Time” has three lead vocalists with the other two being Bruce and Bruce’s E Street Band guitarist Steven Van Zandt. Southside Johnny & the Asbury Jukes keyboardist Rusty Cloud provides a good musical base with his piano. Bruce Springsteen wrote, was one of the producers and his E Street Band played on the song “This Little Girl” by Gary U.S. Bonds. Roy’s piano fuses rock & roll and heartland rock sounds. He brings a similar jolly sound to what he brought to the Bruce songs I mentioned. I’ll continue mentioning other artists Roy played for.

Glory Days - Bruce Springsteen (1984)

On the Dire Straits song “Skateaway”, Roy’s piano comes about a minute into the song. Roy alternates between slow playing and fast playing. In the choruses, Roy plays in an epic way with his piano rocking in sync with the drums. Roy is driving the heartland rock sound of this song. In Dire Straits' more popular song “Romeo and Juliet” from the same album, Roy plays melodically. Roy’s strongest moments in the song have a very heartland rock feel. He backs Mark Knopfler’s guitars (which are both acoustic and electric) very well. Michael Stanley did a very good cover of this song. He’s an American heartland rock artist covering a heartland rock song by an English band going back musically to where it came from. The piano by Bob Pelander is more prominent than the original. Some people will hate what I’m about to say. I think it’s better than the original.

Skateaway - Dire Straits (1980)

Even Now is my favourite Bob Seger song. It’s one of his forgotten US hits. Roy’s piano goes up and down the scale in an incredible way. The piano matches greatly with Bob’s vocals with there being sections where Roy’s notes seem to be a musical response to what Bob sang. On “Roll Me Away”, another hit from the same album, Roy gives us majestic rocking piano. Another song Roy played for Bob is “The Fire Inside”, an epic rock song nearly six minutes long. It’s led by the piano and the fact that the guitar part is acoustic gives more room for the piano to rock. Roy’s piano is incredible and detailed which includes two solos.

The Fire Inside - Bob Seger & The Silver Bullet Band (1991)

On Jackson Browne’s “Here Come Those Tears Again”, Bill Payne plays piano in a warm way. The piano gives off its heartland rock vibes in the way the notes jump from one place to another. Jackson Browne’s epic rock song “The Fuse” has Craig Doerge play incredible heartland rock piano. Craig’s piano has deep dark notes that are so effective. The piano goes very well with David Lindley’s slide guitar. I love how Jackson fuses piano and guitar in a heartland rock setting in many of his songs. Jackson’s classic song “The Pretender” has rich piano from Craig. In parts of the song, the piano shifts from one note to another. 

The Pretender - Jackson Browne (1976)

Running on Empty is a faster rock song driven more by guitar, but Craig’s piano is still a big part of the song. It has an iconic piano opening. Craig incorporates rock & roll influences while maintaining the heartland rock sound. That Girl Could Sing is a case where Jackson played piano on one of his own songs. Jackson’s piano is catchy and has both slower and faster sections. In “For America”, the piano by Jai Winding has sections going back and forth between musical notes. It also has a few short parts led by the piano. Jai’s piano holds this guitar-driven song together very well. Jackson’s lyrics are thought provoking, especially in relation to America’s current issues and 250th anniversary.

That Girl Could Sing - Jackson Browe (1980)

So far these songs by classic rock artists were in the 20th century, with most of them being in the 70s and 80s. I’ll now feature three 21st century songs from classic rock artists. In Michael Stanley’s solo song “My Brand New Day”, Bob Pelander offers amazing, rich piano playing filled with depth. Elton John did a rare case of a heartland rock song in “England and America” ten years ago. Elton showcases his brilliant piano skills by playing different to the way he normally plays where he nails the heartland rock piano sound. Bob Seger’s “Forward Into the Past” is a guitar-driven song, but it’s supported well by Bill Payne’s piano. Bill brings out prominent piano notes in parts of the song which contribute greatly to its rock sound.

My Brand New Day - Michael Stanley (2009)

Companion Articles
I’m providing links to previous articles of mine which are companion articles as they discuss some of the same songs.


These songs show the prominent place piano has in heartland rock music. I like the fact that many of them feature a piano/organ combination. They cover a wide range on the rock spectrum going from soft to hard rock. Some of them fuse heartland rock with other styles such as rock & roll and pop rock. Most of the songs are by American artists, but I did include two English artists. They are Dire Straits and Elton John who fuse English rock with American heartland rock in the songs of theirs I featured. Elton’s song is apt for this as it’s literally about England and America. Heartland rock is a genre which has some epic long rock songs like “The Pretender” and “The Fire Inside”. I’d be interested in hearing what you think of the heartland rock piano sound.

Friday, 6 September 2024

Ten Great Heartland Rock Songs

I decided to write an article compiling a collection of songs in heartland rock, a type of rock music that originated in America. I am familiar with heartland rock as Bob Seger, who I’m a fan of works in that genre. Most of the artists in this list are American, but I do also include three British artists. I featured some heartland rock songs in my previous article “Ten Great Rock Songs Opening Albums”. We’re going to go to the mid 70s.

The Fuse - Jackson Browne (1976)


This song opens with Craig Doerge’s piano which has a uniquely heartland rock sound. David Lindley’s guitar plays a good supporting role. David’s playing has a slight country influence, while maintaining a clear rock feel. Country is in fact an influence of heartland rock. Craig does powerful heartland piano rocking including during instrumental passages. I like how Jackson sings aggressively in this track. This song rocks in a dark way.


Talk to Me - Southside Johnny & The Asbury Jukes (1978)


This song was written by Bruce Springsteen. There are nice horns throughout. A soul influence is present including in Southside Johnny’s singing. The piano has a jolly feel in contrast to the previous song, yet it maintains its heartland rock style. There is a nice saxophone solo.


Lover - Michael Stanley Band (1980)


This song by the Michael Stanley Band is sung & written by Michael. Michael mentions the “cold Ohio night” (his state) which is apt for this genre. Lover is one of the songs I’ve been listening to the most this year. There is a great saxophone presence in this song by Bruce Springsteen’s saxophonist Clarence Clemons. I love how Michael sings “Oooh Lover” in the chorus. This is contrasted well with Clarence’s saxophone notes. The bridge is great as it takes the melody in a different direction.


Hungry Heart - Bruce Springsteen (1980)


This is the first hit song featured on this list. Pianist Roy Bittan of Bruce’s E Street Band is also on the next three songs. This song is very melodic and led wonderfully by Roy’s piano. There is a nice organ solo by Danny Federici where Bruce lightly sings along with it. Bruce's vocals are unique as he’s singing neither softly nor aggressively. He sings the same sounds that he sang during the organ solo plus others at the end of the song.


Skateaway - Dire Straits (1980)


Dire Straits are English and aren’t a heartland rock band, but producer Jimmy Iovine and keyboardist Roy Bittan bring a heartland rock sound to the proceedings. They fuse American styles into an English sounding song. This song is written and sung by Mark Knopfler who’s Dire Straits’ lead singer & guitarist. Roy’s piano works wonderfully. He also plays organ. Mark speaks in parts of the song. He alternates between speaking and singing. Roy’s piano is a good match to Mark’s guitar which does nice playing in the end section.


Roll Me Away - Bob Seger & The Silver Bullet Band (1982)


Jimmy Iovine also produced this song. Roy’s piano drives the song and he has two powerful solos. Drummer Russ Kunkel provides a great beat. Waddy Wachtel’s guitar supports the song well. Craig Frost of The Silver Bullet Band adds colour to this tune with his organ. Bob is singing about a motorcycle trip in his state of Michigan. He sings powerfully as a rock singer.


Have You Ever Seen the Rain? - Bonnie Tyler (1983)


Welsh singer Bonnie Tyler covers a song by Creedence Clearwater Revival. The original only has a few piano notes in parts of the song. Bonnie’s version wonderfully changes the lead instrument from acoustic guitar to piano. Roy plays his signature heartland rock piano sound. Bonnie sings so intensely. She reinterprets a light country rock song into a heartland rocker that rocks way more than the original including its awesome electric guitar parts. There is an aggressive guitar solo.


The Valley Road - Bruce Hornsby & The Range (1988)


Bruce plays powerful improvisational piano playing. He brings a possible jazz influence into heartland rock. It’s creative how he brings his brand of piano playing into a mainstream rock hit. There is a guitar solo and two piano solos. Bruce sings soulfully. I like how he sings “walk on” expressively. This song has a fun feel of the late 80s time period.


England and America - Elton John (2016)


This song written by Elton John and his lyricist Bernie Taupin is paying tribute to England and America. England is Elton’s primary residence where he’s from and America is his second home where he lives part of the time. This song sounds different to the usual Elton John style. Elton displays his creativity in writing a heartland rock melody. He nails that genre’s piano sound. It’s rare to hear Elton rock out like this now. I love the 80s rock sound this song has. Elton’s band backs him well. I’d like to see Elton make a whole album in the heartland rock style.


More Yesterdays Than Tomorrows - Joe Grushecky and The Houserockers (2018)


The song opens with a piano riff which is repeated throughout the song. It soon becomes a powerful rocker driven by guitar and organ. During the guitar solo, the piano riff supports the solo well. There is a brief moment where most of the instruments stop and it’s led by the organ, similar to a section in the previous song with the piano. Joe sounds similar to Southside Johnny who I featured earlier. Joe’s singing about the importance of connecting with people.


This was my selection of ten heartland rock songs. I like the fact that heartland rock has a strong keyboard presence. These songs all feature piano and I can hear organ on six of them. It seems that one component of heartland rock is a mix of piano, organ and guitar. I love the melodies of all these tracks.

Wednesday, 22 November 2023

The Power of Bob Seger's Singing

Bob Seger is an iconic American rock singer. He has a deep, powerful voice which can be intense & aggressive on rock songs and gentle & soft on ballads. In this article, I’ll be giving my thoughts on the power of Bob Seger’s singing referring to some of his songs. The YouTube official audio will be embedded for five of these songs discussed further down.

In his popular song “Old Time Rock & Roll”, he gives a real rock singing voice. He almost shouts while maintaining a melodic voice. He sings gently and intimately on “We’ve Got Tonight”. At the halfway point during the bridge, he suddenly changes his singing into an aggressive style which is very effective. Following the bridge, he goes back into the gentle, intimate singing. In “Katmandu” he sings so loud and does the creative stuttering “K-K-K-K-Katmandu” throughout the song.


In the heartland rocker “Even Now”, he sings so soulfully. I like how he sings both the lead and backing vocals in the chorus which would have been achieved by overdubbing. In this song, he creatively extends the words “now” and “somehow”. In the second verse, there is a good back and forth between his powerful singing and Roy Bittan’s piano notes. He closes out the song with good vocalising and saying the title.


I’ll now talk about a few of Bob’s later songs recorded in the 21st century. In his 2003 blues song “Satisfied” released in his late 50s, you can tell he’s much older than his prime, but he still sings powerfully. The lyrics “I can still snarl with the best” seems to have a double meaning that he can still sing his heart out. He sings that line so intensely. In the rock ballad “I’ll Remember You” recorded in the early 2010s and released on his last album “I Knew You When” in 2017, he sings so passionately. His singing on this track is so impressive for his senior age.


Bob often gives good vocal interjections during an instrumental section like a guitar solo or a piano solo. This could be saying something, singing the song title, ad-libbed lyrics or non-lyrical sounds. Examples of this are saying “hey” in the middle of Rick Vito’s first “Like A Rock” slide guitar solo & singing a vocal effect in the middle of the second solo, singing “ooooo” just before Pete Carr’s guitar solo in “Mainstreet”, saying “oh yeah” in Steve Nathan’s first piano solo in “Satisfied” & singing it with some vocal effects in the second piano solo.


Katmandu (1975)


Old Time Rock & Roll (1978)


We’ve Got Tonight (1978)


Satisfied (2003) 


I’ll Remember You (2017)


These are my thoughts on the powerful singing of Bob Seger. He is an expressive singer who made a great contribution to rock music. I consider him to be one of the world’s best singers.