Eight Elton John Different Types of Rock Songs

I’ve noticed that Elton John has recorded rock songs in many different types of rock. Examples of these include rock & roll, soft rock, pop rock, country rock, etc. I compiled a collection of eight Elton John songs which showcase his songwriting versatility as they are different types of rock songs. In all but one of the songs featured, Elton wrote with his lyricist Bernie Taupin. I’m going to start with the opening title track from Elton’s 1969 debut album “Empty Sky”.

Progressive Rock - Empty Sky (1969)

This song starts with a catchy conga beat and Elton brings in piano notes which come in and out of the song. Following this, it becomes a full band song with strong guitar. Caleb Quaye plays both the guitar and the congas. Elton also plays an organ which can be heard in some of the song’s sections. There’s a flute and a harmonica featured in parts of the song. In going with progressive rock, there are long instrumental sections. Close to the end of the song, the instruments go quietly and Elton sings in a whispering way. The instruments come back up powerfully with Elton playing a glissando. This is an epic eight and a half minute long progressive rock song.

Rock & Roll - Crocodile Rock (1973)

This is one of Elton’s most popular songs. It was his first Number 1 hit in the US. Elton plays both piano and farfisa organ. This song features Elton’s original band of Davey Johnstone (guitar), Nigel Olsson (drums) and Dee Murray (bass). This song is the style of 50s rock & roll. Davey’s guitar parts authentically bring that sound. While Elton does rock out on his piano, he doesn’t play the traditional rock & roll piano on this song. He brings rock & roll vibes through the piano & organ combination. Crocodile Rock is a rock & roll hit that continues to be played for over 50 years and counting.

Hard Rock - Hard Luck Story (1975)

This song opens with the band playing softly and the instruments slowly get louder. This track is from the “Rock of the Westies” album. Elton’s band for that album features both Davey Johnstone and Caleb Quaye (who worked with Elton at the start of his career). The combination of the band produces good results. They include Elton’s piano, the two guitarists, Ray Cooper’s percussion and James Newton Howard’s keyboards. Elton plays incredible rock piano towards the end of this song. This is a good example of Elton doing a hard rock song.

Country Rock - Strangers (1978)

This song is the only song not written with lyricist Bernie Taupin. The lyrics are by Gary Osborne who Elton was writing with at that time. It opens with Elton’s piano. He starts singing and it soon becomes a full band sound. Elton sings very melodically and I like how he sings in a country way. There are great guitars which are featured most prominently in the choruses. I’m assuming the guitars are played by Tim Renwick as he was the main guitarist on the “A Single Man” album. This song is a B-Side recorded during that album’s sessions and ended up as a bonus track on the CD version of the album. Both the piano & the guitars reflect the musical styles of country and rock. We get a tambourine that sounds like Ray Cooper near the end of the song. Strangers has the melodic country rock sound which was common in songs of the 70s.

Soft Rock - Nikita (1985)

We’re going to something softer which matches the soft rock style. This is a big hit which is one of Elton’s great electric piano ballads. He sings in a warm and soulful way. Two popular 80s English singers appear on this song who are George Michael on backing vocals and Nik Kershaw on electric guitar. I like the sound of Nik’s understated guitar. George makes good sounds with his voice near the end of the song. Elton plays both GS piano & synth. Elton’s then keyboardist Fred Mandel also plays synth. I’m assuming the great synth solo is played by Fred. The way I consider this song as soft rock is it being a relaxing ballad with a light rock feel.

Pop Rock - Cold (1995)

This is Elton’s signature piano ballad sound. Davey adds to the song with his guitar playing. There’s an orchestral arrangement by Paul Buckmaster. Davey plays a guitar solo which matches with the orchestra. Elton sings greatly expressing the strengths of his voice. Elton closes off the song well in a rock feel with his piano notes. This is Elton doing a pop rock ballad which he excels at.

Blues Rock - The Wasteland (2001)

This song opens with people talking in the studio and they count down the song. It’s about blues singer and guitarist Robert Johnson. Davey’s guitar playing is incredible. Nigel Olsson’s drumming is powerful. Elton plays a melodic piano solo. Davey supports Elton’s solo well. We have a bluesy organ which matches with the sound. I like how Elton sings “yeah, yeah” near the end of the song. In keeping with the subject matter, Elton crafted a powerful blues rock song.

Gospel Rock - I Can’t Keep This From You (2004)

The opening is led by the organ played by Elton’s late keyboardist Guy Babylon. Elton’s piano goes with Guy’s organ. The gospel feel of this song is augmented by Davey’s guitars that bring rock vibes. Elton sings very soulfully and the choir backs him very well. We get Guy's organ solo followed by Davey’s rocking guitar solo. Elton sings a backing vocal part near the end of the song that works very well. Elton creatively fused gospel and rock with this song.

This set of songs showcase the diverse types of rock songs Elton John has written and recorded. They range from soft rock ballads like “Nikita” to hard rockers like “Hard Luck Story” and give an example of Elton’s music beyond the popular hits. Elton is an iconic rock artist who contributed greatly to that style including the piano’s place in it.

Singers & Sidemen Songs

Sidemen are backing musicians who play for singers. They could be members of a singer’s band and/or session musicians. I decided to write an article collecting a set of songs of singers and a song one of their sidemen sing. I paired it so that the sideman played on the singer's song. These pairs are set where the first song is by the singer and the second song is by the sideman. There are even a few cases where the singer appears on the sideman’s song. We’ll start by going back 50 years.

Elton John - (Gotta Get A) Meal Ticket (1975)

I chose this song as Elton John’s “Captain Fantastic” album is celebrating its 50th anniversary this year. I recently listened to the very good Dolby Atmos version of the album on Blu-ray audio. This is a powerful rocker opened by Davey Johnstone’s guitar. Davey plays great guitar throughout. Elton rocks out on his piano and also plays a clavinet which gives quirky keyboard parts. Elton’s vocals are aggressive. The backing vocals of Elton’s band support him well. Davey gives one of his signature sounding guitar solos. Nigel Olsson rocks very well with his powerful drumming. This song shows what a great rock artist Elton John is.

Nigel Olsson - Showdown (1980)

This is a solo song by Elton’s drummer Nigel Olsson. Nigel and Elton’s roles are inverted here as Elton plays piano on this song. Elton’s original bassist Dee Murray is also on this song. Nigel sings soulfully in this rock song and his drumming is powerful. The castanets remind me of those instruments featured on Elton’s rock classic “Funeral for a Friend / Love Lies Bleeding”. There are good synth parts featured in the song. This song has a good early 80s soft rock feel. Elton plays great rock piano especially at the end of the song.

Eric Clapton - Somebody’s Knockin’ (2016)

This is Eric Clapton’s version of an unreleased J.J. Cale song. It has a blues rock feel. Eric rocks out with his guitar in the opening section. Keyboardist Chris Stainton supports the song with his piano. A few minutes into the song, Chris gives a good piano solo. I like how he makes the notes go up and down. Following that, we get a bluesy organ solo by Paul Carrack. Paul’s organ has a good presence in the song following this solo. The song ends with Eric giving a powerful solo. In it, Eric’s guitar matches well with Chris’ piano and Paul interjects good organ parts in.

Ace (Paul Carrack) - How Long (1974)

This is a hit song Paul Carrack had with the band Ace. Paul has worked with Eric in the studio and been a member of his band for some tours. Paul wrote, sang and played keyboards on this song. It’s opened solely by its bass guitar part and Paul’s electric piano part soon joins in. Paul sings in a warm and melodic way. His electric piano matches well with the guitar solo. This is a 70s soft rock classic.

Jackson Browne - For Everyman (1973)

Jackson Browne’s folk rock song features a mix of guitars, piano and organ. The guitar part is mainly acoustic. Jackson and David Lindley both play that instrument, with David also playing electric guitar. Jackson sings in an intimate way. Craig plays a good piano part. The organ played by Jimmy Buffett’s keyboardist Michael Utley adds a lot of colour to the song. David plays a gentle electric guitar part near the end. This is an epic six minute long song.

Craig Doerge - Reno (1973)

This is a song from Craig Doerge’s solo album. Craig did a lot of work with Jackson Browne in the studio and has toured with him. He was part of Jackson’s hit album “Running on Empty” of original songs recorded on the road. Craig plays good rock piano and sings in a deep way. The backing vocals are strong and effective. The guitar comes in and out of the song with its strong parts. The guitar part at the end of the song goes well with Craig’s piano. This is a good mid-tempo rock song.

Michael Stanley - Sound of a Train (2015)

Michael Stanley is an American rock singer from Cleveland. I wish more people around the world knew about his work. This is a song he wrote with his guitarist Marc Lee Shannon. I had previously featured Marc’s version of the song in my article “Ten Train Songs”. This song features acoustic guitar, piano and organ. Michael sings in a warm and powerful way. The piano gives off a relaxing, warm feel and the organ adds to the song. It has an americana rock ballad feel, which reminds me of Bob Seger’s “Against the Wind” album.

Marc Lee Shannon - I’m On It (2006)

Michael produced Marc Lee Shannon’s debut album, which sees them reverse roles. Michael played instruments on the album, and he wrote and provided backing vocals on this song. It opens with a powerful drum beat and gets into this great rock feel. The song features a good mix of guitar, piano and organ. Marc sings in a tough way with passion. His vocals are very effective. Michael’s backing vocals come in which are featured in sections of the song. They support Marc well. I like how Marc and Michael’s voices go together. There’s a creative country influenced guitar solo I’m assuming is by Marc. I like the ad-libbing Marc does towards the end of the song. This is a catchy, melodic country rock song.

Bob Seger & The Silver Bullet Band - Little Drummer Boy (1987)

As we’re approaching Christmas, it’s fitting to feature a Christmas song. Bob sings this Christmas classic powerfully. Silver Bullet Band keyboardist Craig Frost provides a good piano part which gives a foundation to the song. Saxophonist Alto Reed provides nice sax parts. Alto mentioned that the Silver Bullet Band had recorded often with drummer Don Brewer, yet this is the only officially released studio track with him. Don was a touring drummer on most Silver Bullet Band tours from the 1980s to the 2010s. The guitar parts are played by Rick Vito and Bruce Springsteen guitarist Nils Lofgren. There is a great guitar part that comes throughout the song. It’s great to have a Christmas song given the Bob Seger & The Silver Bullet Band rock treatment.

Grand Funk Railroad (Don Brewer & Craig Frost) - We’re An American Band (1973) 

This #1 US hit is written and sung by Don Brewer who’s the drummer of Grand Funk Railroad. The song opens with a creative drumming part. Don sings loudly in a passionate way. He drums very well throughout this song, hitting the drums with intensity. The band’s keyboardist Craig Frost plays great electric piano. He does wonderful synth work in the choruses. Don and Craig would both end up working with Bob Seger’s Silver Bullet Band the following decade with Don as a touring musician and Craig an official member. Mark Farner gives a good guitar solo. This rock song is produced by Todd Rundgren.

These singers & sidemen songs feature a diverse range of rock songs. It’s interesting that the opening and closing pairs both feature a sideman song by a singing drummer. The singers in both pairs are my two favourite singers Elton John & Bob Seger. If you enjoyed this article, you might be interested in my previous article “Ten Songs Featuring Elton John Sidemen Vol. 2”.

Ten Songs Featuring Elton John Sidemen Vol. 2

This article is a collection of ten songs I like featuring musicians from the Elton John Band. The Elton John Band is the backing band Elton John uses. This is the second volume as I previously wrote “Ten Songs Featuring Elton John Sidemen”. This article features a new set of songs. I’m beginning with a popular Elton John hit.

Honky Cat by Elton John - Elton John Band (1972)

This comes from the “Honky Château” album recorded with the original Elton John Band of Davey Johnstone, Nigel Olsson and Dee Murray. Davey plays banjo instead of guitar giving a folksy americana vibe. Dee Murray’s bass supports the song well with its deep notes. Drummer Nigel Olsson provides a good beat. Elton plays both acoustic and electric pianos with his electric piano notes adding to the song. Elton’s band supports his music with their superb playing. The horns offer a good presence on this New Orleans influenced pop rock song.

Just Keep Playing by Michael Stanley - Kenny Passarelli on Bass (1973)

This melodic song by Michael Stanley in his early career has both a gentle and rock feel. It sounds like it would fit on Elton John’s “Honky Château” album the previous song comes from. Paul Harris is on piano and organ. His piano part reminds me of “Amy” from that album. Paul gives a jolly piano solo. Paul plays the same instruments on Bob Seger’s iconic hit “Against the Wind”. Kenny Passarelli’s bass is soft, but you can feel his notes which support the song suitably. This was a few years before Kenny joined the Elton John Band.

A Man for All Seasons by Al Stewart - Tim Renwick on Guitar (1978)

This midtempo rock song sounds like an Elton John song as it’s piano driven. The piano is similar to Elton’s playing and rocks in sections. There is a nice organ which has a light presence throughout the song. Tim Renwick gives a gentle guitar solo which matches well with the piano. Tim was also the main guitarist on Elton’s album “A Single Man” released around the same time and would join Elton’s band in a few years. The song reflects the songwriting strength of Al Stewart as it’s an epic song of nearly six minutes in length.

Dancin’ Shoes by Nigel Olsson - Nigel Olsson on Drums (1978)

This is a solo song recorded by Elton’s drummer Nigel Olsson which was a US Top 20 hit for him. It’s produced by singer Paul Davis who had the memorable hit song “I Go Crazy”. The song opens with just Nigel and piano and soon the whole band comes in during the chorus. I like Nigel’s singing voice, who sings expressively. There is a nice guitar solo. The album “Nigel” it’s from credits Nigel Olsson as one of three drummers on the album as well as Elton John Band members Ray Cooper and Richie Zito. I don’t know if Nigel, Ray and/or Richie played on this song. This sounds like a soft rock song Elton would feature on his album “21 at 33” a few years later which Nigel was involved in.

Wouldn’t It Be Good by Nik Kershaw - Charlie Morgan on Drums (1984)

Nik Kershaw sings great in this melodic and catchy song. He brings a rock feel with his guitar playing. There is creative synth work in this song. Drummer Charlie Morgan who joined Elton’s band the following year provides a strong beat. There are horns arranged by Jerry Hey which come in around the two-thirds mark which add to the song. This song is both pop rock and new wave. Elton’s album “Ice on Fire” the following year used those two genres. Nik played on that album including on a similar song “Satellite”. Nik would write & record the duet “Old Friend” with Elton in 1993.

The Loving Cup by Dan Fogelberg - Kenny Passarelli on Bass (1984)

This song has a good rock feel. Mike Hanna’s piano has a prominent part in this song. Mike also plays electric piano and synth. The mix of these three instruments are similarly used in some Elton songs. Kenny Passarelli’s bass gives the same approach he did on Michael Stanley’s “Just Keep Playing” as featured above. Dan Fogelberg plays all the guitars and gives aggressive playing at the end.

She’s Waiting by Eric Clapton - Ray Cooper on Percussion (1985)

The song opens with guitar and is soon joined by all instruments. Eric sings aggressively in this song he wrote with Peter Robinson who plays synth on this song. I can hear Elton’s original percussionist Ray Cooper play a tambourine including his signature shake. Ray’s percussion sounds good on this song. Eric offers a nice relaxing guitar solo. There is good snare drumming at the end by Phil Collins. This pop rock song has a good mix of guitar and keyboards. It’s similar to Elton’s 1983 song “Kiss the Bride”.

Just Another Night by Jude Cole - James Newton Howard on Keyboards (1992) 

This song rocks so well. The powerful backing vocals are effective. Jude Cole sings soulfully and plays the guitar. He gives a good guitar solo. Keyboardist and film composer James Newton Howard is credited with keyboards which includes piano. James’ piano holds the song together. He gives rock piano playing reminiscent of Elton. James was in Elton’s band in the mid 70s and early 80s. Mike Finnigan plays a bright organ part.

When a Woman Cries by Joshua Kadison - Tim Renwick on Guitar (1993)

Joshua Kadison, like Elton, plays the piano and sings. There is a great organ presence in this song. Tim Renwick supports the song well with his subtle guitar playing. This ballad has a gospel influence reminding me of some Elton songs as he’s also influenced by that genre. One Elton song I find it similar to is “Man” released a few years later as that song also has piano, organ and strings. Joshua who’s American recorded this song in England, which is the inverse of Elton who’s English and has recorded some songs in America.

Some Things Happen by Boz Scaggs - Curt Bisquera on Drums (1996)

I like the jazzy soft rock feel this song has. Randy Kerber’s piano leads the song well and gives a nice piano solo. Curt Bisquera offers strong drumming with his drums giving a good sound. Curt would join the Elton John Band four years later for a brief stint. Boz Scaggs sings in his signature soulful way. Lisa Frazier supports him well on backing vocals. Despite the tempo differences, I’m reminded of the Elton John song “Give Me the Love”.

This is the selection of songs I made. I wanted them all to have something in common with Elton’s music, so piano is featured in most of them. These songs are a 50/50 mix of British and American artists. They reflect the great musicianship of Elton John's sidemen.

Bitter Fingers by Elton John

I decided to write about an album track from Elton John. An album track means a song from an album which wasn’t a hit and/or a single. The song I’m writing about is “Bitter Fingers” from Elton John’s 1975 album “Captain Fantastic And The Brown Dirt Cowboy”. This was during the peak of Elton John’s success. This song was written with his songwriting partner Bernie Taupin. It features his original band of Davey Johnstone (guitar), Nigel Olsson (drums), Dee Murray (bass) & Ray Cooper (percussion) and is produced by Gus Dudgeon. I’m embedding the YouTube audio of the song and am discussing it below.

The song opens with Elton’s piano. There is a subtle melodic part with his piano. I suspect this instrument is bells or belltree. They are two of the instruments percussionist Ray Cooper is credited with playing alongside tambourine and congas. Elton then begins singing. Soon subtle bass by Dee Murray appears. This is followed by understated rock guitar by Davey Johnstone and barely audible drums from Nigel Olsson. When the chorus starts, Nigel’s drumming properly comes in and it becomes a full-on rock song. Nigel’s drumming and Elton’s piano rock well together in the chorus. Davey’s guitar comes in and out during this section. Davey, Nigel and Dee sing backing vocals in the chorus and at the end of the song.

After the first chorus, it goes back to the piano intro of the start. Davey’s guitar then comes in, doubling the piano which sounds good. Towards the end of the second verse, Nigel brings his drums properly in a bit before the chorus. Dee’s bass seems to be louder from the second chorus to the end of the song. After the last chorus, Davey gives a good guitar solo to conclude the song which is followed by it going into the chorus with the song soon fading. Elton is credited with playing pianos on the track so it seems he’s playing two pianos. I’m interested to know how the two pianos are featured.

Captain Fantastic And The Brown Dirt Cowboy is an autobiographical album chronicling the early days of Elton John & Bernie Taupin’s careers before Elton became a superstar. Bitter Fingers is about Elton & Bernie’s struggles as staff songwriters at Dick James Music (DJM) where they had to write songs they weren’t interested in which were popular at the time. Steve Brown who worked in promotions at DJM told Elton & Bernie their work was awful and to instead write music they believed in. This resulted in them writing the rocking single “Lady Samantha” in early 1969. More songs recorded by Elton came out that year which were the single “It’s Me That You Need” and his debut album “Empty Sky”. Steve produced those singles and the debut album. While he didn’t produce any more songs for Elton, he set Elton & Bernie on the path to be the globally successful songwriting team they became.

Bitter Fingers is a great album track by Elton John. It’s representative of his style of music being similar to some of his well-known songs. I really like Bernie’s line about “the keyboard player’s hollow haunted eyes”. While this song was recorded in America, it has a definite English feel both lyrically and melodically. This makes sense as it deals with Elton & Bernie’s experiences in England. Gus Dudgeon did a very good job producing this melodic 1970s rocker. This song represents the songwriting of Elton John & Bernie Taupin at their best.

Ten Songs Featuring Elton John Sidemen

This post is about Elton John’s backing band who are known as the Elton John Band. I decided to select ten songs I like which feature at least one Elton John band member. One Elton song is of course included. I previously featured the Bob Seger song in my article on Bob Seger piano songs. To maintain a connection with Elton’s music all these songs feature piano.

Magic by Pilot - David Paton (1974)

This is by the Scottish rock band Pilot. David Paton had been a bassist for Elton in the 1980s. He plays bass and sings this song. It opens with intense guitars. Piano then appears which has a supporting role in this song. There is an orchestra and the guitars are understated in sections and are stronger in other parts of the song. There is an intense guitar solo about the three-quarter mark. David sings cheerfully in this fun pop rocker. This song reminds me of Elton’s “Rock Of The Westies” album with it sounding like “Dan Dare (Pilot Of The Future)”.

Bad Blood by Neil Sedaka - Nigel Olsson (1975)

This is a fun pop song. Elton provides prominent backing vocals echoing Neil in the words “bad” and “blood”. Elton and Neil also sing sections together which sounds good. Elton’s drummer Nigel Olsson plays the drums, who provides a good beat. Neil plays piano and this song sounds like an Elton song. David Foster plays clavinet which has a good presence. An Elton song this brings to mind is “Dark Diamond” featuring clavinet played by Stevie Wonder.

Don’t Go Breaking My Heart by Elton John & Kiki Dee - Elton John Band (1976)

This is one of Elton’s most popular songs, a duet with Kiki Dee. The Elton John Band at the time (Caleb Quaye, Davey Johnstone, James Newton Howard, Ray Cooper, Kenny Passarelli & Roger Pope) played on the song, though my understanding is that Davey does not appear on it. This is a catchy pop song with elements of soul. There is an orchestra in the song. The guitars make a more prominent presence in parts of the song. Elton and Kiki sing well together and it’s even more impressive as they recorded their parts separately. The Elton John Band plays in a gentle, relaxing way.

Year of the Cat by Al Stewart - Tim Renwick (1976)

This soft rock song opens with piano. Alan Parsons who produced this also produced “Magic” by Pilot making him the only producer to produce two songs on this list. Tim Renwick who plays guitars on it would be the main guitarist on Elton’s “A Single Man” album a few years later and briefly be in Elton’s band in the early 80s. Tim plays both acoustic and electric guitars, playing a unique acoustic guitar solo followed by an electric guitar solo. Following this, there is a saxophone solo which comes back later at the end of the song. This is similar to the Elton songs “Burn Down The Mission” and “Blues For Baby And Me” that also feature an orchestra.

It’s A Laugh by Daryl Hall & John Oates - Caleb Quaye, Kenny Passarelli & Roger Pope (1978)

Guitarist Caleb Quaye, bassist Kenny Passarelli & drummer Roger Pope joined Daryl Hall & John Oates after Elton John. The album featured guest guitarists, so it’s possible that the lead guitar part isn’t played by Caleb, but I’m writing assuming it’s him. This fun rock song opens with Roger’s drums which goes into a saxophone intro. Caleb plays light rocking electric guitar parts which add power to the song. The piano sounds like the piano in an Elton song. I wonder if Daryl is playing it as he often plays piano. An Elton song I’m reminded of is “Elderberry Wine”.

Hey Deanie by Eric Carmen - Nigel Olsson & Richie Zito (1978)

The song opens with Eric singing the chorus with backing vocals and claps. Elton’s drummer Nigel Olsson and future guitarist Richie Zito play on this song. Nigel and Richie would play together with Elton in the early 80s when they would both be in the Elton John Band. This could be an Elton John rock & roll song with its brilliant rock & roll piano. There are some glissandos. Horns are featured in parts of the song. Nigel gives rock drumming similar to what he’s played for Elton before.

Do You Still Dream? by Chris Rea - David Paton (1981)

The dark rock song opens with piano. There are light electric piano parts that come in and out of the song. The acoustic and electric pianos sound well together. The guitar gives a good presence with there being a guitar solo at the end of the song. A little after a minute when it becomes a full band song, David Paton’s bass gives deep bass notes which are tied with the drums. The guitar solo at the end of the song adds a good contrast to what we heard before. This is a bit like the Elton song “Cry To Heaven”. Both of them are 80s rock songs made in England.

Love’s The Last To Know by Bob Seger - Davey Johnstone (1982)

Bill Payne’s piano starts off the song. Bill is the keyboardist of southern rock band Little Feat. Little Feat is one of Elton’s influences. Elton’s guitarist Davey Johnstone plays an acoustic guitar. He comes about a third into the song with the drums and plays a good supporting role. Bob sings gently, changes to intensely once the strong drumming comes and transitions back to gentle singing in the last section. This song is a bit like an Elton ballad with it reminding me of his 2006 rock ballad “Blues Never Fade Away” (also featuring Davey) that is mostly piano in the first half with intense drumming in the second half.

The Language of Love by Dan Fogelberg - Kenny Passarelli (1984)

I get heartland rock vibes from this track. It features a good mix of guitars and keyboards (piano & organ). Dan Fogelberg sings with a rock voice and also plays lead guitar. His guitar solo is aggressive. Kenny Passarelli who was mentioned previously plays bass. Kenny’s playing is subtle and suits the rock style of this song. Timothy B. Schmit of the Eagles sings harmony vocals. This song’s lyrics remind me of Bernie Taupin’s lyrics for Elton’s 1995 “Made In England” album such as its hit single “Believe”.

Been There, Done That by Christopher Cross - Matt Bissonette (1995)

The song opens with an electric piano. After a while an acoustic piano soon comes in. There are rocking guitars. The bass is played by Elton’s bassist Matt Bissonette. Matt’s bass notes are really deep. There is a strong guitar solo at around the two and a half minute mark. It has the signature Christopher Cross soft rock sound. An Elton song this is a bit like is “Spiteful Child”. Both of them have acoustic piano, electric piano, electric guitars and similar synths.

Hope you enjoyed these songs. I was celebrating classic rock music through the lens of my Elton John fandom. Elton has featured talented musicians in his band who made great contributions to popular music. Thanks to all Elton John band members including the ones not featured in this article for their work as sidemen.

The Making of Elton John's Songs From The West Coast - 20 Years On

This month marks the 20th Anniversary of Elton John’s 2001 studio album “Songs From The West Coast” which was released in October 2001. This was a comeback album that had a back to the 70s

approach. The album was produced by Patrick Leonard. It featured a mix of session musicians and

Elton John’s original band members Davey Johnstone and Nigel Olsson on it. According to Jennifer

Hilliard, one of the album’s assistant engineers, the musicians who played on the album were chosen

by Elton John and producer Patrick Leonard. 

The songs were written by Elton John and his lyricist Bernie Taupin. Arranger Paul Buckmaster, who had done arrangements and conducting for Elton in the 1970s, worked on this album arranging and conducting strings on four songs & horns on the opening track. I consider “Songs From The West Coast” to be one of Elton John’s best albums. I decided to write an article about the making of the album for its 20th anniversary. I had previously written a blog post about the song “Birds” from this album. 

The songs alternated with guitar and drums played by Rusty Anderson & Matt Chamberlain and Elton’s band members Davey Johnstone & Nigel Olsson. There was an interesting contrast in the playing of these two groups. Rusty & Matt’s playing was more modern and Davey & Nigel’s playing was more traditional. There were some other guitarists on this album, but Rusty & Davey were its main guitarists. Interestingly, Rusty & Davey played together on the two tracks “Dark Diamond” and “Mansfield”. Matt also played percussion on one of the seven tracks he was on which was the song “Birds”. I was wondering what percussion part he played. According to recording engineer Brian Scheuble, “he has a large array of percussion. I’m not sure exactly what he played on Birds other than some shakers & a few odd percussion. All combined to make a sound that would work for the song.”

The album was recorded mostly in Los Angeles and began its recording from September to October 2000 at Cello Studios with another set of recording sessions from January to February 2001 at Sony Studios. There were other recordings carried out during the first half of 2001 in Los Angeles with Elton’s vocals recorded at The Townhouse in London. According to Jennifer Hilliard, most of the album was recorded at the initial 2000 sessions, probably about three quarters of the album. 

According to tracking and mixing engineer Joe Chiccarelli, “the songs were built from piano and guide vocals on up. The band was added after the initial songwriting piano/vocal tracks were recorded.” The guide vocals are the vocals Elton initially uses alongside his piano playing while recording. Brian Scheuble says the following on how the songs were recorded, “Elton recorded with the band. Elton was in the piano booth and would play and sing live with the band. We would do a few takes of the song & pick the best take.” 

Jennifer Hilliard pointed out that each day could be very different. She says “from recording the main part of the songs on some days and then recording orchestras on some other days. When we were recording the main part of the songs it was usually a few songs a day. It was honestly the most amazing session I worked on in regards to how fast we would get songs recorded.” She further says the following of the songwriting process: “Bernie Taupin would bring in a stack of lyrics, Elton John would go through them and pick a song. Then he would sit behind the piano and play and then they would record it. 20 minutes later we’d have a mostly completed song.” 

When it came to Elton’s vocals, Joe Chiccarelli mentioned that Elton provided great guide vocals in Los Angeles. He says “We all felt the initial vocals were exceptional and passionate and exciting but Elton wanted to try and beat them. He wanted to fix the little idiosyncrasies in the guide. He wanted to go back home to London. We worked at Townhouse Studios in Shepherd’s Bush near his London home.” As Elton is known to work fast, that was also the case with recording his vocals. Joe Chiccarelli who recorded them states “they were only one or two takes with some touch ups. He would then go about adding double tracks or harmonies to the vocal. It would never take more than an hour to record one song. ... He knows what is a great vocal take and is very hyper focused on achieving that quickly so he doesn’t lose the inspiration by over thinking.” 

It’s interesting to note that Elton John wanted to feature banjo on this album. Joe Chiccarelli elaborates “I think he wanted to regain some of the character of the “Madman Across the Water” album. We tried overdubbing banjo on several songs on the record but none of it ever made the final cut. It just didn’t seem like the appropriate texture for the songs. Eventually one day I found the banjo in the dust bin with a note on it saying that it had 'outlived its usefulness'.” Brian Scheuble has this interesting story: “I would say the one thing that was pretty cool & I’ll never forget was that Pat the producer always wanted Elton to feel at home & inspired. So everyday there would be a new huge arrangement of flowers. One arrangement was flowers all around a bicycle & a bike basket full of flowers. Another day there was an Elton John pinball machine with flowers all around it.” 

Contributors to the album have very positive experiences of working with Elton John. Joe Chiccarelli says “Elton is a true pro, focused, passionate and an absolute pleasure to work with. Always funny, in great spirits and excited to go about the process of recording.” Jennifer Hilliard had similar experiences saying “Elton John was great to work with. He was very nice and generous with everyone that worked on the session.” She also says of working on the album: “this session was such an amazing experience. ... It was truly amazing to see such high levels of talent by everybody on that album.”

The album’s singles were the songs “I Want Love”, “Original Sin” and “This Train Don’t Stop There Anymore”. I Want Love is the most popular song from the album which is famous for having the video of Robert Downey Jr. lip-synching the lyrics while walking around a house. I Want Love has the signature Elton John rock ballad sound featuring Davey Johnstone and Nigel Olsson. Davey delivers a powerful guitar solo on it. Personal highlights for me include the intense country rock song “Birds”, the blues rocker “The Wasteland” about Robert Johnson, the ballad “Dark Diamond” featuring Stevie Wonder on clavinet & harmonica and the upbeat pop rock song “Look Ma, No Hands”. 

The pop rock song “Look Ma, No Hands”

Video of “I Want Love” featuring actor Robert Downey Jr.

Thank you very much to Joe Chiccarelli, Jennifer Hilliard and Brian Scheuble for your contributions to this article. You helped me to learn and write about how this album was made. Patrick Leonard did a great job with the production. He made an album that sounds fresh, doesn’t date, is unlike any other Elton John album yet so faithful to the Elton John sound. The album has an organic sound with all its different instruments mixed well into a cohesive whole and does rock. I would like to see Elton make an album with producer Patrick Leonard again. Songs From The West Coast showcases Elton’s strengths as a singer, songwriter and piano player.