Film Review - Steven Spielberg's Disclosure Day

Steven Spielberg’s original sci-fi thriller “Disclosure Day” has been released this month. I decided to review this film. Steven Spielberg directed, produced and wrote the story for “Disclosure Day”. The screenplay is written by David Koepp who’s worked with Steven on multiple films with their most successful collaboration being 1993’s “Jurassic Park”. I’m embedding the trailer from YouTube and will be reviewing the film below.

 

Disclosure Day is set in a world on the brink of a nuclear World War III. This brings parallels to the world we live in right now as we are dealing with wars and inappropriate actions by world leaders that cause unnecessary tensions between countries. The Iran War is a global catastrophe we are facing this year. In the film, there is a company called Wardex who does work for the US government and military which consists of involvement in extraterrestrial interactions and the cover up of their existence. Cybersecurity administrator Dr. Daniel Kellner stole the full archive of proof of the alien presence on earth from Wardex which has videos over the last 79 years that began with the Roswell incident. Daniel’s working for Hugo Wakefield, another ex-Wardex employee, who is involved in disclosing to the whole world the truth that we are not alone and the alien presence on our planet.

Wardex, who is against what Daniel is doing, got his girlfriend Jane Blankenship involved. They are led by Noah Scanlon who is the film's villain. Noah has access to an alien technology called “The Device” that he holds in his hand which allows him to appear to people located elsewhere and he can control their body movements. There is a sequence where he appears to Jane and controls her which is terrifying. The Device is a form of technology I love in the film. It’s also used by other characters for different purposes later on which I won’t spoil.

Parallel to Daniel’s story is the one of Margaret Fairchild, a weather presenter. She gains special abilities which include the ability to speak different languages. She suddenly speaks in Russian to her boyfriend Jackson at home and speaks Korean to a Korean professor at the TV station she works at. I like the inclusion of Korean as I watch Korean TV shows. While presenting the weather, she suddenly breaks into an alien language on TV and collapses. Moving back to Daniel, he also gains special abilities. This includes the ability to understand the alien language Margaret was speaking. This was a message by the aliens. This is where Margaret and Daniel’s stories begin to intersect. They do eventually meet and work together on the disclosure.

I think “Disclosure Day” has a great tone. When sci-fi films are done as sci-fi dramas, that isn’t my favourite sci-fi sub-genre, as it has the risk of being too slow and not very engaging for me. Steven Spielberg made a brilliant creative decision to make this film both an alien first contact story and a fast-paced thriller. While drama is one of the film’s genres, this film’s style is clearly that of a sci-fi thriller. It’s very thrilling and engaging. Action isn’t the focus of the film, but it does have action as the heroes are chased by Wardex who are trying to stop the disclosure. Daniel is involved in two exciting car chase sequences, one with his girlfriend Jane and the other with Margaret where they get pushed onto the train tracks.

Regarding Daniel’s character, we get few details of his backstory. I’m not keen on what he has done in the past for moral reasons, but more importantly his character in the present is a good hero for this story. I like the fact that the male lead of this film is born in 1990 (we see his date of birth on the screen) making him the same age as me. The female lead Margaret goes through a challenging experience in this film where she doesn’t understand what’s happening to her. She tells people she encounters facts and advice for their personal life which brings to mind the precog Agatha from Steven Spielberg’s brilliant sci-fi action thriller “Minority Report” who did something similar.

I’d like to expand on political parallels in this film I mentioned earlier. The current US administration is a dangerously incompetent one that constantly lies and is creating unnecessary division among people. In this film, the US government hired Wardex to suppress the truth about aliens which brings some similarities. In fact screenwriter David Koepp in a "Disclosure Day” interview with Polygon called “Steven Spielberg's new sci-fi movie probes a 'question of faith' about aliens and government lies” mentioned the problem of how much the current US government lies.

My biggest issue with “Disclosure Day” is that we don’t get to see enough of the aliens. I would have liked to have found out more details about why the aliens came to earth, what Wardex and the government were doing to the aliens. UFOs aren’t really featured in the film like I wanted. As an Elton John fan, I would have liked his UFO themed song “I’ve Seen the Saucers” to be included in “Disclosure Day”. The alien story didn’t offer anything new about aliens in government cover-ups. However, this film makes up for that in Steven Spielberg’s great execution.

I had earlier mentioned the full Wardex archive of alien encounters Daniel had stolen for the public good. This archive consists of videos going all the way back to the Roswell incident. We see people watching them on screens. Other videos featured on screens are those in the Wardex headquarters playing on the walls. These videos seem to be related to alien encounters throughout the world which Wardex uses to suppress knowledge of alien existence. I think the videos from both the archive and the ones playing at Wardex would be good extras for the film’s Blu-ray release. We could see some of those videos extended and perhaps even a few which were made for the film and got cut out.

I do see similarities with the 1960s sci-fi TV series “The Invaders” I like. Both of them are conspiracy thrillers about aliens on earth which the public doesn’t know about. Both Daniel Kellner and David Vincent in the show are trying to expose the truth. It differs in a major way as the film is the reverse of the show with “The Invaders” being about an alien invasion, but “Disclosure Day” has the humans being the aggressors.

I felt some of the visual effects animation wasn’t the strongest and could have been better. I thought the practical effects of the chase scenes involving a car smashing into a house and the train sequence were impressive. I have an issue with the film ending suddenly as I would like to know what happens after it. I wouldn’t call the film’s ending bad as there are good ideas involving aliens and the viewer can use their imagination of what will happen following the ending.

A theme of this film is the importance of empathy. I’m not sure if this theme came across as effectively as Steven Spielberg intended, but I welcome its inclusion. If aliens do exist and have been coming to earth for 79 years, a disclosure day could be a positively unifying moment for humanity. This message of empathy is what we need in the world right now as I’m displeased with the state of humanity at present. I don’t like the violence, cynicism and division that is so prevalent.

Disclosure Day is not the brilliant masterpiece I hoped for, but it’s also not the disappointment I feared. Steven Spielberg’s brilliant directing shines throughout the film and is more important than the issues I have with it. It’s great to have an original blockbuster in this age of sequels, adaptations, remakes and reboots. I had been wanting Steven Spielberg to make an original sci-fi film for years, so I’m glad he finally made one. This entertaining film is deeper, more intelligent and creative than the typical franchise films which are often over focused on action. I recommend “Disclosure Day” as a film to see.

Magical Music of 1978

As a music fan, I consider 1978 to be a fantastic year for music. There were many popular songs that resonated with me from that year. I decided to write an article talking about the magical music of 1978.

The first song I’m mentioning is “Hold the Line” by Toto. It opens with the rocking piano riff by David Paich who also wrote the song. Steve Lukather provides great guitar and lead singer Bobby Kimball sings intensely in this incredible rocker. Georgy Porgy by the same band has both a soft rock and a jazz rock feel. Steve Lukather sings the verses and the choruses are sung by guest singer Cheryl Lynn. Steve gives an enjoyable jazz influenced guitar solo in this relaxing song.

Hold the Line - Toto

I’m now moving on to Toto’s Columbia labelmates Journey. Wheel in the Sky is a hard rock song with an aggressive feel. Steve Perry sings powerfully, there’s a great guitar solo by Neal Schon and Gregg Rolie underpins the song well with his piano. The next song “Lights” is my favourite Journey song. Like with Toto, we go from a hard rock song to a soft rock song. Lights is incredible with its melody, piano, Steve’s singing, guitar solo, organ and rock feel.

Lights - Journey

I’m a big Bob Seger fan. He’s one of the topics I write about on this blog. These are four songs by him. His signature song “Old Time Rock & Roll” is a rock & roll tribute to that music of the 1950s. We’ve Got Tonight is a special melodic piano ballad with Bob showing his softer side. Hollywood Nights has a hard rock feel unlike the previous two. Bob’s guitars drive the song and he’s backed well by Bill Payne’s keyboards (piano & organ). David Teegarden’s double drums give a special sound. Still the Same is a catchy ballad that takes in some country influences. Bob does double duty on piano (including a solo) and acoustic guitars. All these great songs come from Bob’s album “Stranger in Town” which is the first album of his I listened to 15 years ago.

We’ve Got Tonight - Bob Seger

Warren Zevon’s “Werewolves of London” is a funny satirical comedy rock song. Its simple piano notes are repeated on a consistent loop. This is done creatively as the song isn’t repetitive. Warren sings other melodies over his piano part. The Power of Gold by Dan Fogelberg & Tim Weisberg is sung by Dan who also plays piano and guitars. He doubles the two instruments very well including playing a great guitar solo. Album collaborator Tim Weisberg plays flute. Eric Clapton had a warm soft rock US hit “Promises”. This ballad features Dick Sims’ relaxing keyboards (electric piano & organ) and good guitar parts.

The Power of Gold - Dan Fogelberg & Tim Weisberg

The following songs all have acoustic piano, electric piano, saxophone, guitar and orchestra. Scottish singer Gerry Rafferty had the worldwide soft rock hit “Baker Street” that’s very musical. The sax part comes repeatedly in the song to great effect. The guitar solo contrasts well with the sax. We’ll move on to another singer born in Scotland Al Stewart. He grew up in England and is US based. His US hit “Time Passages” is another six minute soft rock song. There are two solos in a row which are Spanish influenced acoustic guitar and sax ones followed by electric guitar parts. English singer Chris Rea is a one-hit wonder in the US unlike in his country. His US hit “Fool (If You Think It’s Over)” is driven by electric piano and an acoustic piano is featured in much of the song. Chris gave us a special melodic ballad.

Fool (If You Think It’s Over) - Chris Rea

We’re going from one fool song to another. The previous three songs all have a British sensibility (including US based Al Stewart). This time it’s to America with soul influenced soft rock by Michael McDonald’s version of The Doobie Brothers. In “What a Fool Believes”, Michael’s piano riff is brilliant and he sings greatly. Synths also form a major part of the song and they are played by Michael and Bill Payne (the keyboardist on Bob Seger’s “Hollywood Nights”). On “Minute by Minute”, Michael plays electric piano. The synth parts are different from the previous song. Michael sings expressively and is supported well by the backing vocals.

What a Fool Believes - The Doobie Brothers

Michael wrote the previous two songs with Kenny Loggins & Lester Abrams. He co-wrote “Dependin’ on You” with bandmate Patrick Simmons. This was a minor hit unlike the previous two. Patrick sings this song and brings more rock into this version of the band. Michael gives good rock & roll piano and backing vocals. There is rocking guitar including solos. Horns have a good presence. This rock song is fused with soul and a hint of jazz.

Dependin’ on You - The Doobie Brothers

Billy Joel gave us the powerful rock ballad “Honesty” with his rich piano. It’s a moving song that’s very melodic and rocks. I'm a big Elton John fan and he had two global hits that year. Part-Time Love was big when it came out except the US where it was a minor hit. This song has been forgotten now. It’s a pop rock song with a soul influence. Elton’s original guitarist Davey Johnstone plays great lead guitar backed on rhythm guitar by Tim Renwick who was the main guitarist on the “A Single Man” album. Elton’s other hit was “Song for Guy” which was popular globally except the US. This instrumental pop song features Elton on piano & keyboards accompanied by percussion and bass. Elton sings some words near the end.

Part-Time Love - Elton John

List of Articles Featuring these Songs

Below are articles where I featured these songs in a list with it described in a paragraph plus an article about the original demo of “Old Time Rock & Roll” which compares it with the released version. I provide links to these articles.

Ten Great Bob Seger Songs by Ten Different Piano Players

Old Time Rock & Roll - Bob Seger

We’ve Got Tonight - Bob Seger

Ten Great Universal Music Group Songs

Still the Same - Bob Seger

Promises - Eric Clapton

The Original Version of Old Time Rock & Roll

An article about the original demo of the song by George Jackson. Both George’s version and Bob’s version are embedded and compared.

Conclusion

I'm going to make comments and comparisons about these songs. The saxophone was popular during this period which included memorable sax parts in “Old Time Rock & Roll” and “Baker Street”. There are iconic piano riffs for songs in different types of rock which are hard rock (“Hold the Line”), rock & roll (“Old Time Rock & Roll”), comedy rock (“Werewolves of London”) and soft rock (“What a Fool Believes”). It was common to have piano ballads featuring orchestra as seen most prominently in “Honesty” and “We’ve Got Tonight”.

I love the fact that so many of these songs are by singing pianists. It includes the two biggest names in that field who are Elton John (“Part-Time Love”) and Billy Joel (“Honesty”). Michael McDonald did this with The Doobie Brothers’ hits “What a Fool Believes” and “Minute by Minute”. Warren Zevon’s piano part for his hit “Werevolves of London” is memorable. Chris Rea who’s known as a guitarist played acoustic piano on “Fool (If You Think It’s Over)”. This was an anomaly in his career where he didn’t play guitar on one of his songs. Bob Seger played piano and acoustic guitar on “Still the Same”. Dan Fogelberg played piano & guitar even more impressively on “The Power of Gold” with him playing rock piano, electric & acoustic guitars including a solo.

These songs are melodic and reflect great things music can do. They are reflective of the year 1978, but do so in a timeless way that transcends that year. They continue to resonate in 2025 and will continue doing so in the years going forward.

Ten Train Songs

This article is a collection of ten train songs I chose. I want to clarify that these are not songs by the band Train. They are songs involving trains. Trains are referred to literally, metaphorically or both. All but one of them have the word train in the song title. We’ll start with a song from 55 years ago.

Whisky Train - Procol Harum (1970)

This song is written by guitarist Robin Trower and lyricist Keith Reid. It’s led by the guitars. Lead singer and pianist Gary Brooker’s piano supports Robin’s guitars well. The piano notes going back and forth on a loop are so simple yet so effective. Gary sings aggressively. The lyrics are referring to alcoholism. B.J. Wilson gives great rock drumming. Near the end of the song, we get Robin’s powerful guitar solo. Whisky Train has amazing energy. I love its hard rock sound.

Long Twin Silver Line - Bob Seger (1980)

This rock song is about a train with the lyrics talking about where the train is going. Bob recorded it with the Muscle Shoals Rhythm Section. He sings vigorously. Barry Beckett plays amazing rock and roll piano. Pete Carr has an aggressive guitar solo which Barry supports well. I like how Bob mentions American places in his song which are the cities Chicago, LA, Denver & Salt Lake City and the states Kansas, Nevada & California. This is a fun Bob Seger rocker from the peak of his career.

Keep This Train a-Rollin’ - The Doobie Brothers (1980)

A fun piece of soul influenced soft rock written and sung by Michael McDonald. It opens with organ, then it’s solely Bobby LaKind’s congas which is soon joined by Michael’s piano. Michael's vocals and piano playing are great and energetic. Horns have a good presence including a nice saxophone solo. I love how this song has multiple keyboard parts which include acoustic piano, electric piano, synth, organ and clavinet. Michael seems to be singing about life using a train as a metaphor.

Trains - Al Stewart (1993)

This is an epic eight minute song. Al sings about trains tying it into history and geography. He starts off referring to his experiences growing up in post World War 2 England, discusses 20th century European history and towards the end of the song talks of trains in 1990s America based on his experiences. We get an acoustic guitar solo.There is a great relaxing piano throughout the song. The accordion has a good presence. Al gives us with this song his creative ability to write a melodic ballad dealing with historical topics.

This Train Won’t Stop - Traffic (1994)

This is a melodic mid-tempo rock song from English rock band Traffic’s final album. The final version of Traffic was Steve Winwood and Jim Capaldi, who both wrote this song. Steve plays multiple instruments including piano, organ and guitar. The song is led well by the piano. Steve sings powerfully in his soulful voice and gives a creative guitar solo. It’s good to hear what seems to be a reference to Steve’s solo hit “Higher Love”. Jim provides a good beat with his drums. Steve is singing about life. In the chorus, he sings “this train won’t stop” repeatedly and ends it with “till we reach the end of the line”. The train seems to refer to our lives. I love this kind of piano driven rock.

This Train Don’t Stop There Anymore - Elton John (2001)

Here’s a powerful ballad by Elton John. The instruments are piano, bass, drums and an orchestra arranged by Paul Buckmaster. Elton is using the train metaphor to reflect and look back on his career. Matt Chamberlain drums intensely in a modern way. We get the feel of ballads pre-dating Elton’s music with this song. There is a powerful moment where one of the choruses goes to just Elton & his piano which is soon joined by the other instruments. I like how the backing vocalists sing “don’t stop”.

From a Train - Michael Stanley (2003)

This is a piano ballad somewhat similar to the previous song. The song seems to be about a man who watched a lady he was in love with go away on a train. The train setting is used to explore their relationship issues. Michael’s long-time keyboardist Bob Pelander’s piano gives a relaxing atmosphere. There is a subtle acoustic guitar and synth strings which comes in and out of the song. Michael sings warmly in an intimate way. I like the reference to “Spanish Nights” which must be referring to Michael’s previous song “Spanish Nights” from the Michael Stanley Band. Halfway through the song, gentle drums come in which add a new dimension to the song.

The Train Don’t Stop Here Anymore - Benny Mardones (2006)

I think that this song was influenced or is a response to Elton’s song on this list. Both songs are piano ballads looking back to the past of their careers. Benny sings “I used to be the man” and Elton sings “I used to be the main express”. Benny sings powerfully. This song is led by a mix of electric and acoustic pianos. We hear some other keyboards. Benny sings about his lover he’s no longer with who he misses. I wonder if “the train don’t stop here anymore” is his way of expressing his sadness that they’re no longer together. In the last quarter of the song, there is a train sound which is nice to hear.

Train To Nowhere - Eric Clapton, Mark Knopfler & Don White (2014)

This song was written by J.J. Cale is from Eric Clapton & Friends’ tribute album to J.J. Cale. Mark sings the first two verses, Don sings the third and they sing the fourth one together. Eric sings the choruses. It’s creative how this song uses the voices of three very different singers. Both Eric and Mark play good guitar parts. The song is underpinned well by piano. J.J. seems to be writing about life with the train to nowhere metaphor. This song is a relaxing mid-tempo americana themed rock song.

Sound of a Train - Marc Lee Shannon (2018)

I get similar musical vibes from the previous song. Marc was the guitarist to Michael Stanley featured above. Marc and Michael wrote this song together with Michael’s version released first in 2015. The song opens with drums, Marc sings with guitar coming in and out of the song. Piano follows in a similar fashion to the guitar and it soon has a full band sound. Marc sings with passion. Marc is singing about his lover that he misses. The chorus mentions both the sound of a train and the sound of her voice. This song has a good mix of piano, acoustic and electric guitars.

That was my selection of train songs. There are some common lyrical themes among them. I like how these songs are musically diverse ranging from slow ballads to hard rock.

The Global South & Dictatorships

 

"Earth - Africa, Middle East and Europe" by Kevin M. Gill is licensed under CC BY 2.0.

I have noticed that there is a concerning viewpoint in my country Sri Lanka to downplay and normalise the evils of dictators. This stems from an over critical view of the West. It’s my understanding these views are a viewpoint prevalent in the Global South which Sri Lanka is part of. The Global South tends to refer to poor countries while the Global North refers to rich countries. I’m writing this article to present my view that the foreign policies of the West don’t make dictators decent leaders worthy of respect. In this article I’m focusing specifically on the Middle Eastern region.

I’ll begin with a terrible action initiated by the US, which was the Iraq War in 2003. This was an unjust war based on a lie that Iraq stored weapons of mass destruction. Saddam Hussein was a dictator who ruled oppressively in Iraq. His sons were dangerous criminals who terrorised people. While this war succeeded in getting rid of Saddam Hussein, it brought misery, deaths and suffering to the people of Iraq and resulted in the barbaric terrorist group ISIS being formed. This war destabilised Iraq and the Middle Eastern region.

In 2011, the US & NATO intervened in Libya. They said they were getting involved to protect civilians. Some people equate this involvement in the same league as that of the Iraq War. While it’s true that the state of Libya after this conflict has serious problems, I disagree with this assessment. Libya’s dictator Muammar Gaddafi really was responsible for the deaths of his own people. This military operation was much smaller in scale than in Iraq. Many in the Global South dismissed the West’s narrative out of hand. I’m not saying this is a just war that the US & NATO were absolutely right to be involved in. It’s true that the West has their own agendas and the real reason for involvement could be different to the official narrative. My point is that in cases like this there can be valid reasons behind it.

Even if you make a compelling case against the West’s involvement in Libya, that does not invalidate the problems Libyans faced under Muammar Gaddafi’s dictatorship. He had been connected to terrorism and is alleged to have been involved in or masterminded the Lockerbie bombing in the 1980s. There are similarities between the Gaddafi family of Libya and the Rajapaksa family of Sri Lanka. Both are despotic political families which caused damage to their countries. While nowhere near the same scale, you can also see some similarities between Saddam Hussein’s sons and Malaka Silva, the son of former politician Mervyn Silva in Mahinda Rajapaksa’s government. While Libya tragically fell into a state of civil war post-Gaddafi, the movement to establish a stable democratic government in Libya was a just one.

I’ll now move onto Syria. Syria has been in a state of civil war since the early 2010s. In December 2024, Syrian president Bashar al-Assad gave up power and went to Russia. The origins of the Syrian Civil War began with him using force on pro-democracy protests in 2011. His dictatorship and oppressive rule resulted in over half a million deaths in Syria’s civil war. It’s tragic how there are so many factions fighting each other. There was distressing sectarian violence occurring earlier this month. This shows that despite Assad’s exit from power, the Syrian Civil War is still ongoing.

There are some in the Global South who will point out that the West had previously engaged diplomatically with Assad, portraying the West as hypocritical and trying to delegitimise Western criticism of Assad. I don’t agree with this view. Irrespective of whether Western foreign policy towards Syria is sensible or not, they were rightly against the catastrophic governance of Assad. In regard to their previous engagement with the Syrian government, governments change their policies with time. In my view, they made the correct decision to stop engaging with Assad.

Western hypocrisy really does exist and there are instances where it’s wise to call it out. The problem I have is when the Western hypocrisy narrative is used to dismiss valid Western criticisms against crimes and misdemeanours committed by certain governments. Sometimes the global political situation is grey in that while a particular government is involved in Western hypocrisy, they are also spot-on in their condemnation of a dictator.

Regarding Syria, I don’t know what the future of that country holds. My knowledge of their current provisional government is minimal and I don’t have a high regard for them. I hope that with Assad gone, they will be able to come out of the mess they are in and democratically elect a decent government.

To conclude, I will point out ways I think all three sides can contribute regarding the Middle Eastern region. The Global South who has experienced bad governance and corruption can look at the similarities of Middle Eastern dictators and their own governance. Support and understanding can be given to the people of the Middle East. The West would be wise not to focus on a military interventionist approach in dealing with these dictators. It’s important to have policies that help people in this region which would result in Middle Easterners having a more positive view of Western governments. This should include win-win policies which are good for both Middle Eastern people and the security of the West. The Middle Eastern people should not abandon movements for democratic governance. This movement should take a stand against violence & extremism and inspire people for a peaceful and stable Middle East.