Showing posts with label Gary Brooker. Show all posts
Showing posts with label Gary Brooker. Show all posts

Saturday, 18 October 2025

Ten Fool Songs

I’ve been listening to some songs recently with the word “fool” in the title. That led me thinking it would be a good topic to write an article compiling fool songs. Most of these songs use the term “fool” in relation to relationships, such as someone seeing himself as the fool or viewed that way in the third person. I will only talk about the song’s meaning when they deviate from that trend. I featured two of the songs on this list in my recent article “Magical Music of 1978”. We’ll start by going back 50 years.

Fool’s Gold - Procol Harum (1975)


The song opens with Gary Brooker’s piano and his singing. Other instruments slowly come in and it becomes a full band song quickly. It has an incredible rock energy and features great guitar by Mick Grabham. Gary’s piano rocks well during this song including the way it backs the guitars. The song seems to be about someone who was determined to be successful and failed. Fool’s gold refers to a substance which resembles gold, but is worthless. It also means something incorrectly perceived as very successful. Gary sings about how fool’s gold fooled him. He seems to be singing figuratively. We get some horns close to the end of the song.


Ship of Fools - Bob Seger (1976)


This is a countryish sounding soft rock ballad. The piano isn’t dominant, but provides a good musical base. The creative guitar parts by Drew Abbott come in and out of the song. The accordion has a good presence. Ship of fools is a metaphor by Plato about a ship having an unfit crew which can refer to a dysfunctional democracy. The song is about someone who sailed on a ship with a crew and says what happened. It’s only at the end we find out that the ship sank and he’s the sole survivor. That’s when he refers to it as a “ship of fools”. Bob sings in an intimate manner.


Fool (If You Think It’s Over) - Chris Rea (1978)


The song opens with a light beat. It’s led by an electric piano. Chris Rea’s acoustic piano comes in a bit later which has a good presence in parts of the song. A vibraphone provides some good notes. There is a nice saxophone solo at the halfway point. An orchestra is featured. Producer Gus Dudgeon gives the song a very full production with so many instruments that don’t clash, but support each other. Chris sings this song in a warm way.


What a Fool Believes - The Doobie Brothers (1978)


Michael McDonald wrote this song with Kenny Loggins, sings it and plays piano & synths (with Bill Payne). The piano & synths combine to form a unique keyboard sound. Michael sings powerfully and soulfully. He also sings backing vocals which adds to the song. This is a very melodic song which has a fun, enjoyable feel.


Fool in the Rain - Led Zeppelin (1979)


This is a softer song by Led Zeppelin, though it’s good to have something rockier than the last three songs. John Paul Jones’ piano has a prominent part and opens the song with its riff. John Bonham's drumming is powerful. In the middle of the song, the melody changes with great drumming and percussion. This section brings in a samba sound. It goes back to the piano riff of the start of the song. Jimmy Page plays a creative guitar solo going over it. This solo isn’t intense, but it brings a rock vibe and has jazz influences. Near the end, we get what sounds like acoustic guitar parts. This is an epic six minute rock song.


I’ll Be the Fool Again - Robbie Dupree (1981)


This soft rock song opens with synths and is soon joined by guitar and piano. It’s similar to “What a Fool Believes” we heard earlier, but has more guitars and rock. Robbie sings soulfully. There is a relaxing guitar solo. This song balances synths, piano and guitars well. It’s a good example of yacht rock.


Rope Around a Fool - Elton John (1988)


This piano rock song opens with Elton’s piano and is soon joined by Davey Johnstone’s aggressive guitars. Elton sings powerfully and rocks great on his piano. His piano solo is rock & roll sounding and has good guitar interjections by Davey. This song was the B-Side to his hit “I Don’t Wanna Go On With You Like That” which has a similar piano rock sound.


Any Other Fool - Michael Stanley (2000)


It’s fitting that we follow Elton John as this sounds like an Elton song with its piano ballad style. The line “It never ceases to amaze me” brings to mind Elton’s song “Amazes Me”. Michael’s keyboardist Bob Pelander plays amazing piano and organ. Bob and Michael wrote this song together. Michael sings greatly with emotion. The female backing vocalist supports him well. There is a powerful bridge around the halfway mark followed by a melodic saxophone solo. This song shows what a great singer-songwriter Michael Stanley is. It’s a pity he wasn’t able to be a globally successful singer. He’s someone I recommend listening to.


Fool for Falling In Love - Benny Mardones (2002)


Benny Mardones wrote this song with Roy Orbison. It’s driven by piano and has a strong drum part. The two instruments go together well. There is a subtle organ throughout which adds to the song. Benny sings with passion. At the halfway mark, the piano part brings latin vibes that I like. There is good percussion near the end. Benny gave us a powerful rock ballad with this song.


I Was Fooled - Eric Clapton (2010)


This is a blues cover. The song was written by Jody Williams. Eric brings off blues rock vibes in this song. There is a harmonica throughout it including a good solo. I really like what the piano does during the chorus. Eric sings the blues with passion.


I’ve noticed that a lot of these songs tend to go towards soft rock and ballads with the levels of rock varying. There are some songs which rock harder. I find it interesting that there are only three hit songs which are the ones by The Doobie Brothers, Chris Rea and Led Zeppelin. If you enjoyed reading this, you might be interested in my previous article “Ten Train Songs”. It features many of the same artists.

Saturday, 17 August 2024

Ten Great Rock Songs Opening Albums

I decided to write an article about ten great rock songs that open albums. I wrote about a few of the songs with different text before in previous articles. In the headings, I mention the song and the artist followed by a colon with the album name. Let’s begin.

Funeral for a Friend / Love Lies Bleeding by Elton John: Goodbye Yellow Brick Road (1973)


This is an epic progressive rock opener from Elton John’s most popular studio album. It opens with atmospheric effects and bells followed by David Hentschel’s synth playing. Elton’s piano then comes with the other instruments being subtle. Soon it goes into a full band sound with Davey Johnstone providing a guitar solo. David Hentschel’s synth parts add to the song. Funeral for a Friend is the instrumental part of the song and “Love Lies Bleeding” is the second half featuring Bernie Taupin lyrics sung by Elton. In “Love Lies Bleeding”, bassist Dee Murray’s part is noticeable. This song showcases Elton John’s strength as a rock artist as it rocks so hard.


Nothing but the Truth by Procol Harum: Exotic Birds and Fruit (1974)


Both this song and the previous one overlap as they are both by English artists from the same time period and Procol Harum are a progressive rock band. Lead singer and piano player Gary Brooker leads the song with his piano playing. His opening piano riff rocks great and comes back a few more times. The arrangement is expansive with a subtle orchestra included. This is a powerful catchy rock song with its incredible chorus.


Once or Twice by Chicago: Chicago X (1976)


This song goes in a different direction to the previous ones as this is jazz rock. It’s written and sung by original Chicago guitarist Terry Kath. The signature Chicago horns are a big part of the song including a saxophone solo. I like Robert Lamm’s rock and roll piano. It’s creative to feature that kind of piano playing in a jazz rock song. Terry provides a tough vocal which is suitably powerful.


Running on Empty by Jackson Browne: Running on Empty (1977)


This is the title track from Jackson Browne’s “Running on Empty” album of original songs recorded entirely on the road, with some of it recorded live such as this one. The song is led by the guitar and features the piano well. Pianist Craig Doerge’s notes are an important part of this song. David Lindley provides two incredible slide guitar solos. Jackson crafted a memorable melodic piece of heartland rock reflecting the US at that time.


Say You’ll Be Mine by Christopher Cross: Christopher Cross (1979)


This is from Christopher Cross’s self-titled debut album. Christopher sings with passion in his voice. Jay Graydon provides a guitar solo that’s both relaxing and rocking. I detect a possible jazz influence in Jay’s solo. Michael Omartian’s piano notes work well in the song. Nicolette Larson gives good backing vocals singing well with Christopher. This is an enjoyable form of yacht rock.


Running Man by Al Stewart: 24 Carrots (1980)


It opens with backing vocal singing, piano notes and other instruments including guitar. Following this section, there is the main piano riff which is soon doubled by guitar. This song has a good mix of piano and guitar. There is a latin sounding acoustic guitar solo. I like the percussion beat. Al Stewart brings his signature brand of soft rock.


I’ll Never Need Anyone More by Michael Stanley Band: Heartland (1980)


This song by the Michael Stanley Band is written and sung by Michael. It’s guitar driven and features good piano backing. There is a strong guitar solo in the middle. I like the fact that this song has three keyboards which are piano, organ and synth. The synth effects near the end are nice. I like this heartland rock sound.


Rosanna by Toto: Toto IV (1982)


This song opens with Jeff Porcaro’s epic drumming. The singing alternates between guitarist Steve Lukather and lead singer Bobby Kimball in the verses. I like the sound of the band singing together in the choruses. Steve Porcaro provides a synth solo followed by Steve Lukather’s guitar solo which contrasts well. David Paich who wrote the song provides a great piano part which holds the song together. I assume the organ part near the end is by David. It’s nice to hear jamming by David Paich and Steve Lukather in the final section.


Allentown by Billy Joel: The Nylon Curtain (1982)


This song is about the American town of Allentown, Pennsylvania. It opens with a train noise. Billy’s piano leads the song well with it being the most prominent in the verses. There are cool percussion and sound effects repeated throughout. The percussion is by drummer Liberty DeVitto and Billy seems to be doing the sound effects. This song shows Billy's strength in writing and singing a melodic rock song. It’s good how Billy stretches certain words he sings. There is a prominent rocking guitar part near the end.


Even Now by Bob Seger: The Distance (1982)


This is one of Bob Seger’s lesser known hits. It has an epic intro. This song is very melodic with incredible piano by Roy Bittan. Former Eagles guitarist Don Felder plays the guitar. Bob’s saxophonist Alto Reed provides good support. Bob gives incredible singing showcasing his vocal range. I love how he sings both the lead vocals and the backing vocals in the chorus. Bob ends with singing “Even Now” stretched out followed by guitar & piano parts and Craig Frost’s organ notes which close the track. This is my favourite Bob Seger song.


This was my selection of rock songs I like that open albums. I tried to feature a balance of popular and lesser known songs. Interestingly, I recently listened to Elton John’s “Goodbye Yellow Brick Road” and Jackson Browne’s “Running on Empty” albums from this article in 5.1 surround sound which sounded very good in that format.