Ten Songs Produced by Barry Beckett

This article is my first collection of songs by a music producer. The producer I’m featuring is Barry Beckett. He’s a keyboardist who was part of a group of session musicians known as the Muscle Shoals Rhythm Section. They worked with singer Bob Seger who I’m a fan of. In most of the songs I selected, Barry shared production credit with others. Barry played piano on some of the songs he produced. Sometimes albums Barry produced did not specify which tracks he played on. Therefore, I only mention Barry’s piano playing if I could verify that he played on the song. The songs cover a 20 year period beginning in 1973.

Turn Out the Light - Orleans (1973)

Barry produced the album with Muscle Shoals Rhythm Section drummer Roger Hawkins and plays piano. Barry’s piano opens the song and dominates. His playing is powerful. The start of the song is John Hall’s singing who also plays the guitar. We get a bit of guitar and backing vocals. After a while it becomes a full band song. This soft rock ballad has gospel influences. John gives a nice guitar solo followed by Barry’s powerful piano solo. This song is produced wonderfully as it’s clear sounding. It’s able to be both intimate in its sections dominated by piano and epic when it has the full band sound. It uses the full band to give power and energy to this ballad.

Smoke from a Distant Fire - Sanford-Townsend Band (1977)

The Sanford-Townsend Band consisted of Ed Sanford and John Townsend. They are both singer-keyboardists. This is a pop rock song with a southern rock feel. Barry produced this song with Jerry Wexler which is also the case for the next song. This song was a hit in the US. There is a warm saxophone part. John’s singing is soulful. Ed supports John with his good backing vocals. There are many elements in this song, acoustic piano, electric piano, electric guitar, organ and saxophone which the production balances very well. Sections of the song are driven by the electric piano while others are driven by the acoustic piano. There are two relaxing solos, one guitar and the other saxophone. This song has a good jolly feel.

Communiqué - Dire Straits (1979)

Dire Straits leader Mark Knopfler wrote, sang and played lead guitar on this song. It opens with Mark’s guitar playing with it soon joined by Barry’s piano playing. Some of the notes Barry plays reminds me of his piano part in Bob Seger’s “Sunspot Baby”. His playing goes well with Dire Straits. Mark’s provides creative guitar playing. The production brings in southern American sensibilities to a uniquely English rock band. This is an epic rock song over five minutes long.

Paris - Southside Johnny & The Asbury Jukes (1979)

This is the first song on the list Barry produced by himself. Kevin Kavanaugh’s piano playing is powerful. Southside Johnny sings with passion. Horns are featured in parts of the song. There is a relaxing saxophone solo. Kevin’s organ plays a good supporting role. Barry’s production is true to Southside Johnny & The Asbury Jukes’ brand of rock as it features both heartland rock and soul sounds.

Lucretia - Levon Helm (1982)

Barry produced this song with Muscle Shoals Rhythm Section guitarist Jimmy Johnson. This is a solo song by Levon Helm who was in The Band. Levon sings powerfully. His singing of the line “hey Mister can you tell me where to go” reminds me of similar lines he sang in The Band’s song “The Weight”. The piano underpins this americana sounding rock song. The guitars bring in both country and rock vibes. The production does a good job of balancing the guitars and the piano.

I Got Love - Glenn Frey (1984)

This is a solo song by Glenn Frey who was in The Eagles. I’d classify it as soft rock with soul elements. Barry produced this song with Glenn & Allan Blazek and plays all the keyboards on it. The song opens with mainly Glenn’s singing, Barry’s piano and light drumming. Soon, the drumming gets more intense with all the instruments appearing. Barry plays some organ notes which make appearances during the chorus. Glenn sings very well. You can hear his emotion. The horns contribute greatly to the song. Barry plays a few rock & roll piano notes near the end. The production feels epic giving different instruments their moments throughout the song.

Southern Star - Alabama (1989)

Barry plays piano on this country song and produced it with the Alabama band. Southern Star has multiple instruments: piano, organ, acoustic and electric guitars. Lead singer Randy Owen sings very well. The band provides good backing vocals. There are some rock elements as Barry’s piano seems to give brief rock & roll sounds and the guitar solos sound a little rockish. The production feels epic with its full band country sound.

Go On - Delbert McClinton (1990)

Barry and Delbert McClinton produced this song. This song is in Delbert’s style which mixes country, blues and rock. There are two bluesy guitar solos. The piano provides a good base for the song. There are moments where the piano does some additional notes. The horns provide a good presence. The production gives a relaxed uptempo feel.

 

Always in My Heart - Bob Seger & The Silver Bullet Band (1991)

This rock ballad Barry produced with Bob Seger. It came out 35 years ago in August 1991. The piano is played by Bob’s classic rock peer Bruce Hornsby. The opening section is dominated by Bob’s singing and Bruce’s piano. They pair well together. This song is an example of a great Bob Seger ballad. Bruce’s piano playing is epic. Bob sings incredibly. The production showcases the power of a Bob Seger ballad. It mixes this piano led song with its guitar and keyboard parts.

A Woman’s Needs - Elton John & Tammy Wynette (1993)

Barry produced this duet between Elton John and country singer Tammy Wynette. Elton wrote this country song with his lyricist Bernie Taupin. Tammy sings at the start. She sings well in her southern accent. Elton sings after that and comes with very powerful singing. Their singing styles are totally different yet work so well. They sing in conversation in the chorus. There are similarities in this song and the preceding one. Both are ballads featuring the musicians Don Potter (acoustic guitar), Dan Huff (electric guitar), Michael Rhodes (bass) and Eddie Bayers (drums). The difference is the country genre of “A Woman’s Needs”. Elton brings his signature brilliant piano playing in a country setting. Barry’s good production brings the guitars in and out of this Elton John piano ballad. He deserves credit for bringing a strong collaboration between an English rock singer and an American country singer.

Barry’s productions have an organic clear sound. He gives an important place for the piano whether it's his playing or someone else’s. Barry balances the different instruments well. He brings in southern sounds like country and blues into songs produced by rock artists. He did work in the country genre which I included. As I’m a classic rock fan, most of the artists I featured are rock artists. It’s interesting to note that the last four songs feature the rhythm section of drummer Eddie Bayers and bassist Michael Rhodes. Barry Beckett is a great producer and keyboardist who made a great contribution to popular music.

Ten Train Songs

This article is a collection of ten train songs I chose. I want to clarify that these are not songs by the band Train. They are songs involving trains. Trains are referred to literally, metaphorically or both. All but one of them have the word train in the song title. We’ll start with a song from 55 years ago.

Whisky Train - Procol Harum (1970)

This song is written by guitarist Robin Trower and lyricist Keith Reid. It’s led by the guitars. Lead singer and pianist Gary Brooker’s piano supports Robin’s guitars well. The piano notes going back and forth on a loop are so simple yet so effective. Gary sings aggressively. The lyrics are referring to alcoholism. B.J. Wilson gives great rock drumming. Near the end of the song, we get Robin’s powerful guitar solo. Whisky Train has amazing energy. I love its hard rock sound.

Long Twin Silver Line - Bob Seger (1980)

This rock song is about a train with the lyrics talking about where the train is going. Bob recorded it with the Muscle Shoals Rhythm Section. He sings vigorously. Barry Beckett plays amazing rock and roll piano. Pete Carr has an aggressive guitar solo which Barry supports well. I like how Bob mentions American places in his song which are the cities Chicago, LA, Denver & Salt Lake City and the states Kansas, Nevada & California. This is a fun Bob Seger rocker from the peak of his career.

Keep This Train a-Rollin’ - The Doobie Brothers (1980)

A fun piece of soul influenced soft rock written and sung by Michael McDonald. It opens with organ, then it’s solely Bobby LaKind’s congas which is soon joined by Michael’s piano. Michael's vocals and piano playing are great and energetic. Horns have a good presence including a nice saxophone solo. I love how this song has multiple keyboard parts which include acoustic piano, electric piano, synth, organ and clavinet. Michael seems to be singing about life using a train as a metaphor.

Trains - Al Stewart (1993)

This is an epic eight minute song. Al sings about trains tying it into history and geography. He starts off referring to his experiences growing up in post World War 2 England, discusses 20th century European history and towards the end of the song talks of trains in 1990s America based on his experiences. We get an acoustic guitar solo.There is a great relaxing piano throughout the song. The accordion has a good presence. Al gives us with this song his creative ability to write a melodic ballad dealing with historical topics.

This Train Won’t Stop - Traffic (1994)

This is a melodic mid-tempo rock song from English rock band Traffic’s final album. The final version of Traffic was Steve Winwood and Jim Capaldi, who both wrote this song. Steve plays multiple instruments including piano, organ and guitar. The song is led well by the piano. Steve sings powerfully in his soulful voice and gives a creative guitar solo. It’s good to hear what seems to be a reference to Steve’s solo hit “Higher Love”. Jim provides a good beat with his drums. Steve is singing about life. In the chorus, he sings “this train won’t stop” repeatedly and ends it with “till we reach the end of the line”. The train seems to refer to our lives. I love this kind of piano driven rock.

This Train Don’t Stop There Anymore - Elton John (2001)

Here’s a powerful ballad by Elton John. The instruments are piano, bass, drums and an orchestra arranged by Paul Buckmaster. Elton is using the train metaphor to reflect and look back on his career. Matt Chamberlain drums intensely in a modern way. We get the feel of ballads pre-dating Elton’s music with this song. There is a powerful moment where one of the choruses goes to just Elton & his piano which is soon joined by the other instruments. I like how the backing vocalists sing “don’t stop”.

From a Train - Michael Stanley (2003)

This is a piano ballad somewhat similar to the previous song. The song seems to be about a man who watched a lady he was in love with go away on a train. The train setting is used to explore their relationship issues. Michael’s long-time keyboardist Bob Pelander’s piano gives a relaxing atmosphere. There is a subtle acoustic guitar and synth strings which comes in and out of the song. Michael sings warmly in an intimate way. I like the reference to “Spanish Nights” which must be referring to Michael’s previous song “Spanish Nights” from the Michael Stanley Band. Halfway through the song, gentle drums come in which add a new dimension to the song.

The Train Don’t Stop Here Anymore - Benny Mardones (2006)

I think that this song was influenced or is a response to Elton’s song on this list. Both songs are piano ballads looking back to the past of their careers. Benny sings “I used to be the man” and Elton sings “I used to be the main express”. Benny sings powerfully. This song is led by a mix of electric and acoustic pianos. We hear some other keyboards. Benny sings about his lover he’s no longer with who he misses. I wonder if “the train don’t stop here anymore” is his way of expressing his sadness that they’re no longer together. In the last quarter of the song, there is a train sound which is nice to hear.

Train To Nowhere - Eric Clapton, Mark Knopfler & Don White (2014)

This song was written by J.J. Cale is from Eric Clapton & Friends’ tribute album to J.J. Cale. Mark sings the first two verses, Don sings the third and they sing the fourth one together. Eric sings the choruses. It’s creative how this song uses the voices of three very different singers. Both Eric and Mark play good guitar parts. The song is underpinned well by piano. J.J. seems to be writing about life with the train to nowhere metaphor. This song is a relaxing mid-tempo americana themed rock song.

Sound of a Train - Marc Lee Shannon (2018)

I get similar musical vibes from the previous song. Marc was the guitarist to Michael Stanley featured above. Marc and Michael wrote this song together with Michael’s version released first in 2015. The song opens with drums, Marc sings with guitar coming in and out of the song. Piano follows in a similar fashion to the guitar and it soon has a full band sound. Marc sings with passion. Marc is singing about his lover that he misses. The chorus mentions both the sound of a train and the sound of her voice. This song has a good mix of piano, acoustic and electric guitars.

That was my selection of train songs. There are some common lyrical themes among them. I like how these songs are musically diverse ranging from slow ballads to hard rock.

Ten Great Heartland Rock Songs

I decided to write an article compiling a collection of songs in heartland rock, a type of rock music that originated in America. I am familiar with heartland rock as Bob Seger, who I’m a fan of works in that genre. Most of the artists in this list are American, but I do also include three British artists. I featured some heartland rock songs in my previous article “Ten Great Rock Songs Opening Albums”. We’re going to go to the mid 70s.

The Fuse - Jackson Browne (1976)

This song opens with Craig Doerge’s piano which has a uniquely heartland rock sound. David Lindley’s guitar plays a good supporting role. David’s playing has a slight country influence, while maintaining a clear rock feel. Country is in fact an influence of heartland rock. Craig does powerful heartland piano rocking including during instrumental passages. I like how Jackson sings aggressively in this track. This song rocks in a dark way.

Talk to Me - Southside Johnny & The Asbury Jukes (1978)

This song was written by Bruce Springsteen. There are nice horns throughout. A soul influence is present including in Southside Johnny’s singing. The piano has a jolly feel in contrast to the previous song, yet it maintains its heartland rock style. There is a nice saxophone solo.

Lover - Michael Stanley Band (1980)

This song by the Michael Stanley Band is sung & written by Michael. Michael mentions the “cold Ohio night” (his state) which is apt for this genre. Lover is one of the songs I’ve been listening to the most this year. There is a great saxophone presence in this song by Bruce Springsteen’s saxophonist Clarence Clemons. I love how Michael sings “Oooh Lover” in the chorus. This is contrasted well with Clarence’s saxophone notes. The bridge is great as it takes the melody in a different direction.

Hungry Heart - Bruce Springsteen (1980)

This is the first hit song featured on this list. Pianist Roy Bittan of Bruce’s E Street Band is also on the next three songs. This song is very melodic and led wonderfully by Roy’s piano. There is a nice organ solo by Danny Federici where Bruce lightly sings along with it. Bruce's vocals are unique as he’s singing neither softly nor aggressively. He sings the same sounds that he sang during the organ solo plus others at the end of the song.

Skateaway - Dire Straits (1980)

Dire Straits are English and aren’t a heartland rock band, but producer Jimmy Iovine and keyboardist Roy Bittan bring a heartland rock sound to the proceedings. They fuse American styles into an English sounding song. This song is written and sung by Mark Knopfler who’s Dire Straits’ lead singer & guitarist. Roy’s piano works wonderfully. He also plays organ. Mark speaks in parts of the song. He alternates between speaking and singing. Roy’s piano is a good match to Mark’s guitar which does nice playing in the end section.

Roll Me Away - Bob Seger & The Silver Bullet Band (1982)

Jimmy Iovine also produced this song. Roy’s piano drives the song and he has two powerful solos. Drummer Russ Kunkel provides a great beat. Waddy Wachtel’s guitar supports the song well. Craig Frost of The Silver Bullet Band adds colour to this tune with his organ. Bob is singing about a motorcycle trip in his state of Michigan. He sings powerfully as a rock singer.

Have You Ever Seen the Rain? - Bonnie Tyler (1983)

Welsh singer Bonnie Tyler covers a song by Creedence Clearwater Revival. The original only has a few piano notes in parts of the song. Bonnie’s version wonderfully changes the lead instrument from acoustic guitar to piano. Roy plays his signature heartland rock piano sound. Bonnie sings so intensely. She reinterprets a light country rock song into a heartland rocker that rocks way more than the original including its awesome electric guitar parts. There is an aggressive guitar solo.

The Valley Road - Bruce Hornsby & The Range (1988)

Bruce plays powerful improvisational piano playing. He brings a possible jazz influence into heartland rock. It’s creative how he brings his brand of piano playing into a mainstream rock hit. There is a guitar solo and two piano solos. Bruce sings soulfully. I like how he sings “walk on” expressively. This song has a fun feel of the late 80s time period.

England and America - Elton John (2016)

This song written by Elton John and his lyricist Bernie Taupin is paying tribute to England and America. England is Elton’s primary residence where he’s from and America is his second home where he lives part of the time. This song sounds different to the usual Elton John style. Elton displays his creativity in writing a heartland rock melody. He nails that genre’s piano sound. It’s rare to hear Elton rock out like this now. I love the 80s rock sound this song has. Elton’s band backs him well. I’d like to see Elton make a whole album in the heartland rock style.

More Yesterdays Than Tomorrows - Joe Grushecky and The Houserockers (2018)

The song opens with a piano riff which is repeated throughout the song. It soon becomes a powerful rocker driven by guitar and organ. During the guitar solo, the piano riff supports the solo well. There is a brief moment where most of the instruments stop and it’s led by the organ, similar to a section in the previous song with the piano. Joe sounds similar to Southside Johnny who I featured earlier. Joe’s singing about the importance of connecting with people.

This was my selection of ten heartland rock songs. I like the fact that heartland rock has a strong keyboard presence. These songs all feature piano and I can hear organ on six of them. It seems that one component of heartland rock is a mix of piano, organ and guitar. I love the melodies of all these tracks.