The S Blog deals with the interests of a Sri Lankan abroad and is called The S Blog due to the many S topics covered. They include Sri Lanka, Songs, Bob Seger & The Silver Bullet Band, Science Fiction, Star Trek and even other non S topics.
I like Boz Scaggs’ hit song “Lido Shuffle”. I’ve noticed it sounds like an Elton John song and mentioned that when it was featured in my article “Ten Great Songs Featuring David Paich”. David is the keyboardist and co-writer of the song and would co-found the rock band Toto soon afterwards. Elton is a hero and an influence of David’s. I decided to write an article comparing it to an Elton John song, which is “Elderberry Wine”. That is the Elton song that comes to mind when I think of “Lido Shuffle” being like Elton’s music. Elton’s song comes from his album “Don’t Shoot Me, I’m Only the Piano Player” (1973) and Boz’s song comes from his album “Silk Degrees” (1976). I’m embedding both songs with a paragraph about each one followed by a comparison of them.
Elderberry Wine (1973)
Elderberry Wine opens with Elton’s piano accompanied by drums and is soon joined by all instruments. The horns come in during the chorus and enhance this song. Elton sings with passion. The song closes with Elton singing the song title over and over again with Davey Johnstone’s guitar riffs in between them. This is a fun, melodic rocker.
Lido Shuffle (1976)
Lido Shuffle opens with bass and drums. Boz sings over it and all instruments soon come in. Just before the chorus, the horns start to appear and are most prominent in the choruses. David Paich plays all the keyboards on this song including both piano and synth. David’s piano provides a solid musical base and he provides creative synth work in parts of the song. Boz sings passionately. This is an iconic 70s rock hit.
Comparison
These are two 1970s pop rock songs featuring horns and piano. In my view, the melodies on both tracks sound alike. Elton and Boz sound similar including the way they sing. Elton’s song is more piano driven, although it does have a similarity in its opening. Elton’s song is opened with piano and drums and Boz’s song is opened by bass and drums. In both of them, this is followed with all the instruments coming in. Lido Shuffle’s horns are featured in more of the song than “Elderberry Wine”.
Both songs have similar runtimes with “Elderberry Wine” being 3:34 and “Lido Shuffle” being 3:43. It’s interesting that the number of seconds in Boz's song is the inverse of Elton’s song. One song (“Lido Shuffle”) is a hit song, while the other song (“Elderberry Wine”) is an album track. Elderberry Wine is connected with one of Elton’s hits as it was the B-Side to “Crocodile Rock”. In both cases, the singer wrote the song with a collaborator. Elton wrote it with his lyricist Bernie Taupin and Boz wrote it with David Paich who was the keyboardist of his “Silk Degrees” album. I consider them both to be great songs.
As a music fan, I consider 1978 to be a fantastic year for music. There were many popular songs that resonated with me from that year. I decided to write an article talking about the magical music of 1978.
The first song I’m mentioning is “Hold the Line” by Toto. It opens with the rocking piano riff by David Paich who also wrote the song. Steve Lukather provides great guitar and lead singer Bobby Kimball sings intensely in this incredible rocker. Georgy Porgy by the same band has both a soft rock and a jazz rock feel. Steve Lukather sings the verses and the choruses are sung by guest singer Cheryl Lynn. Steve gives an enjoyable jazz influenced guitar solo in this relaxing song.
Hold the Line - Toto
I’m now moving on to Toto’s Columbia labelmates Journey. Wheel in the Sky is a hard rock song with an aggressive feel. Steve Perry sings powerfully, there’s a great guitar solo by Neal Schon and Gregg Rolie underpins the song well with his piano. The next song “Lights” is my favourite Journey song. Like with Toto, we go from a hard rock song to a soft rock song. Lights is incredible with its melody, piano, Steve’s singing, guitar solo, organ and rock feel.
Lights - Journey
I’m a big Bob Seger fan. He’s one of the topics I write about on this blog. These are four songs by him. His signature song “Old Time Rock & Roll” is a rock & roll tribute to that music of the 1950s. We’ve Got Tonight is a special melodic piano ballad with Bob showing his softer side. Hollywood Nights has a hard rock feel unlike the previous two. Bob’s guitars drive the song and he’s backed well by Bill Payne’s keyboards (piano & organ). David Teegarden’s double drums give a special sound. Still the Same is a catchy ballad that takes in some country influences. Bob does double duty on piano (including a solo) and acoustic guitars. All these great songs come from Bob’s album “Stranger in Town” which is the first album of his I listened to 15 years ago.
We’ve Got Tonight - Bob Seger
Warren Zevon’s “Werewolves of London” is a funny satirical comedy rock song. Its simple piano notes are repeated on a consistent loop. This is done creatively as the song isn’t repetitive. Warren sings other melodies over his piano part. The Power of Gold by Dan Fogelberg & Tim Weisberg is sung by Dan who also plays piano and guitars. He doubles the two instruments very well including playing a great guitar solo. Album collaborator Tim Weisberg plays flute. Eric Clapton had a warm soft rock US hit “Promises”. This ballad features Dick Sims’ relaxing keyboards (electric piano & organ) and good guitar parts.
The Power of Gold - Dan Fogelberg & Tim Weisberg
The following songs all have acoustic piano, electric piano, saxophone, guitar and orchestra. Scottish singer Gerry Rafferty had the worldwide soft rock hit “Baker Street” that’s very musical. The sax part comes repeatedly in the song to great effect. The guitar solo contrasts well with the sax. We’ll move on to another singer born in Scotland Al Stewart. He grew up in England and is US based. His US hit “Time Passages” is another six minute soft rock song. There are two solos in a row which are Spanish influenced acoustic guitar and sax ones followed by electric guitar parts. English singer Chris Rea is a one-hit wonder in the US unlike in his country. His US hit “Fool (If You Think It’s Over)” is driven by electric piano and an acoustic piano is featured in much of the song. Chris gave us a special melodic ballad.
Fool (If You Think It’s Over) - Chris Rea
We’re going from one fool song to another. The previous three songs all have a British sensibility (including US based Al Stewart). This time it’s to America with soul influenced soft rock by Michael McDonald’s version of The Doobie Brothers. In “What a Fool Believes”, Michael’s piano riff is brilliant and he sings greatly. Synths also form a major part of the song and they are played by Michael and Bill Payne (the keyboardist on Bob Seger’s “Hollywood Nights”). On “Minute by Minute”, Michael plays electric piano. The synth parts are different from the previous song. Michael sings expressively and is supported well by the backing vocals.
What a Fool Believes - The Doobie Brothers
Michael wrote the previous two songs with Kenny Loggins & Lester Abrams. He co-wrote “Dependin’ on You” with bandmate Patrick Simmons. This was a minor hit unlike the previous two. Patrick sings this song and brings more rock into this version of the band. Michael gives good rock & roll piano and backing vocals. There is rocking guitar including solos. Horns have a good presence. This rock song is fused with soul and a hint of jazz.
Dependin’ on You - The Doobie Brothers
Billy Joel gave us the powerful rock ballad “Honesty” with his rich piano. It’s a moving song that’s very melodic and rocks. I'm a big Elton John fan and he had two global hits that year. Part-Time Love was big when it came out except the US where it was a minor hit. This song has been forgotten now. It’s a pop rock song with a soul influence. Elton’s original guitarist Davey Johnstone plays great lead guitar backed on rhythm guitar by Tim Renwick who was the main guitarist on the “A Single Man” album. Elton’s other hit was “Song for Guy” which was popular globally except the US. This instrumental pop song features Elton on piano & keyboards accompanied by percussion and bass. Elton sings some words near the end.
Part-Time Love - Elton John
List of Articles Featuring these Songs
Below are articles where I featured these songs in a list with it described in a paragraph plus an article about the original demo of “Old Time Rock & Roll” which compares it with the released version. I provide links to these articles.
An article about the original demo of the song by George Jackson. Both George’s version and Bob’s version are embedded and compared.
Conclusion
I'm going to make comments and comparisons about these songs. The saxophone was popular during this period which included memorable sax parts in “Old Time Rock & Roll” and “Baker Street”. There are iconic piano riffs for songs in different types of rock which are hard rock (“Hold the Line”), rock & roll (“Old Time Rock & Roll”), comedy rock (“Werewolves of London”) and soft rock (“What a Fool Believes”). It was common to have piano ballads featuring orchestra as seen most prominently in “Honesty” and “We’ve Got Tonight”.
I love the fact that so many of these songs are by singing pianists. It includes the two biggest names in that field who are Elton John (“Part-Time Love”) and Billy Joel (“Honesty”). Michael McDonald did this with The Doobie Brothers’ hits “What a Fool Believes” and “Minute by Minute”. Warren Zevon’s piano part for his hit “Werevolves of London” is memorable. Chris Rea who’s known as a guitarist played acoustic piano on “Fool (If You Think It’s Over)”. This was an anomaly in his career where he didn’t play guitar on one of his songs. Bob Seger played piano and acoustic guitar on “Still the Same”. Dan Fogelberg played piano & guitar even more impressively on “The Power of Gold” with him playing rock piano, electric & acoustic guitars including a solo.
These songs are melodic and reflect great things music can do. They are reflective of the year 1978, but do so in a timeless way that transcends that year. They continue to resonate in 2025 and will continue doing so in the years going forward.
I decided to write an article about ten great rock songs that open albums. I wrote about a few of the songs with different text before in previous articles. In the headings, I mention the song and the artist followed by a colon with the album name. Let’s begin.
Funeral for a Friend / Love Lies Bleeding by Elton John: Goodbye Yellow Brick Road (1973)
This is an epic progressive rock opener from Elton John’s most popular studio album. It opens with atmospheric effects and bells followed by David Hentschel’s synth playing. Elton’s piano then comes with the other instruments being subtle. Soon it goes into a full band sound with Davey Johnstone providing a guitar solo. David Hentschel’s synth parts add to the song. Funeral for a Friend is the instrumental part of the song and “Love Lies Bleeding” is the second half featuring Bernie Taupin lyrics sung by Elton. In “Love Lies Bleeding”, bassist Dee Murray’s part is noticeable. This song showcases Elton John’s strength as a rock artist as it rocks so hard.
Nothing but the Truth by Procol Harum: Exotic Birds and Fruit (1974)
Both this song and the previous one overlap as they are both by English artists from the same time period and Procol Harum are a progressive rock band. Lead singer and piano player Gary Brooker leads the song with his piano playing. His opening piano riff rocks great and comes back a few more times. The arrangement is expansive with a subtle orchestra included. This is a powerful catchy rock song with its incredible chorus.
Once or Twice by Chicago: Chicago X (1976)
This song goes in a different direction to the previous ones as this is jazz rock. It’s written and sung by original Chicago guitarist Terry Kath. The signature Chicago horns are a big part of the song including a saxophone solo. I like Robert Lamm’s rock and roll piano. It’s creative to feature that kind of piano playing in a jazz rock song. Terry provides a tough vocal which is suitably powerful.
Running on Empty by Jackson Browne: Running on Empty (1977)
This is the title track from Jackson Browne’s “Running on Empty” album of original songs recorded entirely on the road, with some of it recorded live such as this one. The song is led by the guitar and features the piano well. Pianist Craig Doerge’s notes are an important part of this song. David Lindley provides two incredible slide guitar solos. Jackson crafted a memorable melodic piece of heartland rock reflecting the US at that time.
Say You’ll Be Mine by Christopher Cross: Christopher Cross (1979)
This is from Christopher Cross’s self-titled debut album. Christopher sings with passion in his voice. Jay Graydon provides a guitar solo that’s both relaxing and rocking. I detect a possible jazz influence in Jay’s solo. Michael Omartian’s piano notes work well in the song. Nicolette Larson gives good backing vocals singing well with Christopher. This is an enjoyable form of yacht rock.
Running Man by Al Stewart: 24 Carrots (1980)
It opens with backing vocal singing, piano notes and other instruments including guitar. Following this section, there is the main piano riff which is soon doubled by guitar. This song has a good mix of piano and guitar. There is a latin sounding acoustic guitar solo. I like the percussion beat. Al Stewart brings his signature brand of soft rock.
I’ll Never Need Anyone More by Michael Stanley Band: Heartland (1980)
This song by the Michael Stanley Band is written and sung by Michael. It’s guitar driven and features good piano backing. There is a strong guitar solo in the middle. I like the fact that this song has three keyboards which are piano, organ and synth. The synth effects near the end are nice. I like this heartland rock sound.
Rosanna by Toto: Toto IV (1982)
This song opens with Jeff Porcaro’s epic drumming. The singing alternates between guitarist Steve Lukather and lead singer Bobby Kimball in the verses. I like the sound of the band singing together in the choruses. Steve Porcaro provides a synth solo followed by Steve Lukather’s guitar solo which contrasts well. David Paich who wrote the song provides a great piano part which holds the song together. I assume the organ part near the end is by David. It’s nice to hear jamming by David Paich and Steve Lukather in the final section.
Allentown by Billy Joel: The Nylon Curtain (1982)
This song is about the American town of Allentown, Pennsylvania. It opens with a train noise. Billy’s piano leads the song well with it being the most prominent in the verses. There are cool percussion and sound effects repeated throughout. The percussion is by drummer Liberty DeVitto and Billy seems to be doing the sound effects. This song shows Billy's strength in writing and singing a melodic rock song. It’s good how Billy stretches certain words he sings. There is a prominent rocking guitar part near the end.
Even Now by Bob Seger: The Distance (1982)
This is one of Bob Seger’s lesser known hits. It has an epic intro. This song is very melodic with incredible piano by Roy Bittan. Former Eagles guitarist Don Felder plays the guitar. Bob’s saxophonist Alto Reed provides good support. Bob gives incredible singing showcasing his vocal range. I love how he sings both the lead vocals and the backing vocals in the chorus. Bob ends with singing “Even Now” stretched out followed by guitar & piano parts and Craig Frost’s organ notes which close the track. This is my favourite Bob Seger song.
This was my selection of rock songs I like that open albums. I tried to feature a balance of popular and lesser known songs. Interestingly, I recently listened to Elton John’s “Goodbye Yellow Brick Road” and Jackson Browne’s “Running on Empty” albums from this article in 5.1 surround sound which sounded very good in that format.
I decided to write an article about electric piano rock songs. This article is my 75th blog post. I feature a mix of major hits, minor hits, album tracks and an outtake from classic rock artists. This article is similar to my previous articles “Ten Great Piano Rock Songs by Ten Different Singers” and “Ten Great Electric Piano Elton John Songs”. We’re going back five decades.
Ride Captain Ride - Blues Image (1970)
It opens with an interesting electric piano effect. A synth effect briefly appears before going away when the singing starts. The singing is accompanied by electric piano, bass and drums. A few other instruments briefly come in during the first verse. The song gets more rocking during the chorus featuring additional instruments. After the first chorus, there’s a light guitar solo with prominent electric piano accompaniment. The song concludes with a rocking guitar solo.
Empty Pages - Traffic (1970)
It opens with the combination of organ and electric piano. Steve Winwood sings the song and plays electric piano & organ. There is another organ part played by Chris Wood. The organ is loud in parts of the song giving a dramatic effect. Close to the two minute mark, there is a long electric piano solo. The opening notes of the solo remind me of a similar part Elton John played in his song “Dreamboat”. A little after the three minute mark, Steve Winwood lightly sings along to the melody for about 20 seconds before resuming the chorus. This is the only song on the list not to feature any guitar. That doesn’t prevent the song from rocking as it rocks well with its keyboard parts.
Midnight Creeper - Elton John (1973)
The song has a horn intro and then the intense guitars played by Elton’s guitarist Davey Johnstone are in the forefront. The horns come back in the chorus. The chorus is catchy. At the two minute mark, there is a prominent horn part, followed by Davey’s guitar solo. During the guitar solo, there is back and forth between the guitar and the horns. There is another guitar solo at the end of the song. This solo features prominent interjections by the horns. While Elton’s electric piano isn’t the loudest instrument, he gives good accompaniment with his rock playing.
Black Night - Bob Seger (1975)
This is an intense rocker with some musical similarities to the previous song. It’s an example of the Bob Seger rock sound. It opens with the guitars which are driving the song. We soon hear some accompaniment from the electric piano. Just after a minute there are a few prominent notes by the electric piano. A bit before the halfway mark, there’s an electric piano solo. After the last verse, the song seems to stop and then comes back for a guitar solo. Bob features the same effect in “The Fire Down Below” which was released the following year.
New Kid In Town - Eagles (1976)
The song opens with the electric piano which is instantly joined by acoustic guitars. The acoustic guitars are the loudest instrument, but the electric piano provides good accompaniment. Soon, the electric guitars and organ appear. Glenn Frey sings in a gentle warm way. Don Henley’s backing vocals provide good support. A rockier electric guitar comes at the three minute and 21 second mark. This song has a slight Mexican influence which can be heard in some of its guitar parts.
All For Leyna - Billy Joel (1980)
Following the opening electric piano notes, we are soon joined by strong guitars. Billy plays a good electric piano effect which comes throughout the song. This song rocks so well and Billy gives us great rock electric piano playing. Just after the three minute mark, a prominent synth part also played by Billy appears. It goes away and comes back at the end of the song.
You Make My Dreams (Come True) - Daryl Hall & John Oates (1980)
The song opens with Daryl’s electric piano. He soon starts singing. Daryl expresses his excitement in his soulful singing. There is an instrumental break just after the halfway mark featuring a more prominent guitar part. This is a fun light pop rock song that mixes electric piano and guitar well.
All Right - Christopher Cross (1983)
It opens with a mix of guitar and synth and soon the electric piano appears. The electric piano is most prominent during the verses. Michael McDonald’s backing vocals are heard during the choruses. There is a powerful guitar solo by Steve Lukather making the song rock more. The electric piano accompanies the solo well. This song has a good mix of electric piano, synth and guitar.
Goin’ Home - Toto (1989)
This is an unreleased song from 1989 until it was released in 1998. The song opens with electric piano notes played by David Paich which is soon joined by all the instruments. There are backing vocals sung which is followed by original Toto lead singer Bobby Kimball’s vocals. They have two call and responses which also happens in the second verse. Similarly, during an instrumental section, there is a call and response between Steve Lukather on guitar and David Paich on electric piano. This song has a fun energetic feel.
When I See You Smile - Bad English (1989)
The song opens with Jonathan Cain’s electric piano. John Waite sings with minimal subtle instrumental accompaniment that includes acoustic guitar and keyboards. The song then has the addition of heavy guitars, drums and synth just before the chorus which continues going into the chorus. The second verse starts off similar to the first verse, but with added drums. The song then goes through the same musical changes which happened in the first verse. At about the three quarter mark, we have a strong guitar solo by Neil Schlon. The song closes with the same electric piano notes that opened it.
I tried to feature a balance of different types of rock in this article. They include pop rock, soft rock, hard rock and progressive rock. Also, there is a form of popular rock music known as yacht rock which is on this list. The term was coined in the 2000s, but it refers to music in the late 1970s and early 1980s. The songs on this list I’d classify as yacht rock are the ones by the Eagles, Daryl Hall & John Oates, Christopher Cross and Toto. Electric piano may not be a common rock instrument, but it has a long and diverse history in the genre.
