The S Blog deals with the interests of a Sri Lankan abroad and is called The S Blog due to the many S topics covered. They include Sri Lanka, Songs, Bob Seger & The Silver Bullet Band, Science Fiction, Star Trek and even other non S topics.
I like Boz Scaggs’ hit song “Lido Shuffle”. I’ve noticed it sounds like an Elton John song and mentioned that when it was featured in my article “Ten Great Songs Featuring David Paich”. David is the keyboardist and co-writer of the song and would co-found the rock band Toto soon afterwards. Elton is a hero and an influence of David’s. I decided to write an article comparing it to an Elton John song, which is “Elderberry Wine”. That is the Elton song that comes to mind when I think of “Lido Shuffle” being like Elton’s music. Elton’s song comes from his album “Don’t Shoot Me, I’m Only the Piano Player” (1973) and Boz’s song comes from his album “Silk Degrees” (1976). I’m embedding both songs with a paragraph about each one followed by a comparison of them.
Elderberry Wine (1973)
Elderberry Wine opens with Elton’s piano accompanied by drums and is soon joined by all instruments. The horns come in during the chorus and enhance this song. Elton sings with passion. The song closes with Elton singing the song title over and over again with Davey Johnstone’s guitar riffs in between them. This is a fun, melodic rocker.
Lido Shuffle (1976)
Lido Shuffle opens with bass and drums. Boz sings over it and all instruments soon come in. Just before the chorus, the horns start to appear and are most prominent in the choruses. David Paich plays all the keyboards on this song including both piano and synth. David’s piano provides a solid musical base and he provides creative synth work in parts of the song. Boz sings passionately. This is an iconic 70s rock hit.
Comparison
These are two 1970s pop rock songs featuring horns and piano. In my view, the melodies on both tracks sound alike. Elton and Boz sound similar including the way they sing. Elton’s song is more piano driven, although it does have a similarity in its opening. Elton’s song is opened with piano and drums and Boz’s song is opened by bass and drums. In both of them, this is followed with all the instruments coming in. Lido Shuffle’s horns are featured in more of the song than “Elderberry Wine”.
Both songs have similar runtimes with “Elderberry Wine” being 3:34 and “Lido Shuffle” being 3:43. It’s interesting that the number of seconds in Boz's song is the inverse of Elton’s song. One song (“Lido Shuffle”) is a hit song, while the other song (“Elderberry Wine”) is an album track. Elderberry Wine is connected with one of Elton’s hits as it was the B-Side to “Crocodile Rock”. In both cases, the singer wrote the song with a collaborator. Elton wrote it with his lyricist Bernie Taupin and Boz wrote it with David Paich who was the keyboardist of his “Silk Degrees” album. I consider them both to be great songs.
I decided to write an article about electric piano rock songs. This article is my 75th blog post. I feature a mix of major hits, minor hits, album tracks and an outtake from classic rock artists. This article is similar to my previous articles “Ten Great Piano Rock Songs by Ten Different Singers” and “Ten Great Electric Piano Elton John Songs”. We’re going back five decades.
Ride Captain Ride - Blues Image (1970)
It opens with an interesting electric piano effect. A synth effect briefly appears before going away when the singing starts. The singing is accompanied by electric piano, bass and drums. A few other instruments briefly come in during the first verse. The song gets more rocking during the chorus featuring additional instruments. After the first chorus, there’s a light guitar solo with prominent electric piano accompaniment. The song concludes with a rocking guitar solo.
Empty Pages - Traffic (1970)
It opens with the combination of organ and electric piano. Steve Winwood sings the song and plays electric piano & organ. There is another organ part played by Chris Wood. The organ is loud in parts of the song giving a dramatic effect. Close to the two minute mark, there is a long electric piano solo. The opening notes of the solo remind me of a similar part Elton John played in his song “Dreamboat”. A little after the three minute mark, Steve Winwood lightly sings along to the melody for about 20 seconds before resuming the chorus. This is the only song on the list not to feature any guitar. That doesn’t prevent the song from rocking as it rocks well with its keyboard parts.
Midnight Creeper - Elton John (1973)
The song has a horn intro and then the intense guitars played by Elton’s guitarist Davey Johnstone are in the forefront. The horns come back in the chorus. The chorus is catchy. At the two minute mark, there is a prominent horn part, followed by Davey’s guitar solo. During the guitar solo, there is back and forth between the guitar and the horns. There is another guitar solo at the end of the song. This solo features prominent interjections by the horns. While Elton’s electric piano isn’t the loudest instrument, he gives good accompaniment with his rock playing.
Black Night - Bob Seger (1975)
This is an intense rocker with some musical similarities to the previous song. It’s an example of the Bob Seger rock sound. It opens with the guitars which are driving the song. We soon hear some accompaniment from the electric piano. Just after a minute there are a few prominent notes by the electric piano. A bit before the halfway mark, there’s an electric piano solo. After the last verse, the song seems to stop and then comes back for a guitar solo. Bob features the same effect in “The Fire Down Below” which was released the following year.
New Kid In Town - Eagles (1976)
The song opens with the electric piano which is instantly joined by acoustic guitars. The acoustic guitars are the loudest instrument, but the electric piano provides good accompaniment. Soon, the electric guitars and organ appear. Glenn Frey sings in a gentle warm way. Don Henley’s backing vocals provide good support. A rockier electric guitar comes at the three minute and 21 second mark. This song has a slight Mexican influence which can be heard in some of its guitar parts.
All For Leyna - Billy Joel (1980)
Following the opening electric piano notes, we are soon joined by strong guitars. Billy plays a good electric piano effect which comes throughout the song. This song rocks so well and Billy gives us great rock electric piano playing. Just after the three minute mark, a prominent synth part also played by Billy appears. It goes away and comes back at the end of the song.
You Make My Dreams (Come True) - Daryl Hall & John Oates (1980)
The song opens with Daryl’s electric piano. He soon starts singing. Daryl expresses his excitement in his soulful singing. There is an instrumental break just after the halfway mark featuring a more prominent guitar part. This is a fun light pop rock song that mixes electric piano and guitar well.
All Right - Christopher Cross (1983)
It opens with a mix of guitar and synth and soon the electric piano appears. The electric piano is most prominent during the verses. Michael McDonald’s backing vocals are heard during the choruses. There is a powerful guitar solo by Steve Lukather making the song rock more. The electric piano accompanies the solo well. This song has a good mix of electric piano, synth and guitar.
Goin’ Home - Toto (1989)
This is an unreleased song from 1989 until it was released in 1998. The song opens with electric piano notes played by David Paich which is soon joined by all the instruments. There are backing vocals sung which is followed by original Toto lead singer Bobby Kimball’s vocals. They have two call and responses which also happens in the second verse. Similarly, during an instrumental section, there is a call and response between Steve Lukather on guitar and David Paich on electric piano. This song has a fun energetic feel.
When I See You Smile - Bad English (1989)
The song opens with Jonathan Cain’s electric piano. John Waite sings with minimal subtle instrumental accompaniment that includes acoustic guitar and keyboards. The song then has the addition of heavy guitars, drums and synth just before the chorus which continues going into the chorus. The second verse starts off similar to the first verse, but with added drums. The song then goes through the same musical changes which happened in the first verse. At about the three quarter mark, we have a strong guitar solo by Neil Schlon. The song closes with the same electric piano notes that opened it.
I tried to feature a balance of different types of rock in this article. They include pop rock, soft rock, hard rock and progressive rock. Also, there is a form of popular rock music known as yacht rock which is on this list. The term was coined in the 2000s, but it refers to music in the late 1970s and early 1980s. The songs on this list I’d classify as yacht rock are the ones by the Eagles, Daryl Hall & John Oates, Christopher Cross and Toto. Electric piano may not be a common rock instrument, but it has a long and diverse history in the genre.
I am a fan of piano so I decided to write an article of great Jackson Browne songs featuring piano with each piano player being different. Jackson has musical similarities with my two favourite singers Elton John & Bob Seger. Also, Elton played piano on one of Jackson’s songs which is on this list. This is the Jackson Browne version of my Bob Seger article “Ten Great Bob Seger Songs by Ten Different Piano Players”. Two of the piano players are the same in both articles. I’ve previously featured Jackson Browne songs in my articles about piano rock songs, non-relationship rock songs and songs David Paich played on. I’m using the same song from my David Paich article with an added sentence. The first song comes from Jackson’s self-titled debut album.
Jamaica Say You Will - Jackson Browne (1972)
This is a melodic and gentle ballad featuring piano played by Jackson himself. This song sounds like Elton John. This is a piano driven song whose guitar part is only a little acoustic guitar. David Crosby’s harmony vocals mix well with Jackson’s voice. Jackson’s piano sounds full and powerful giving the best kind of playing for a ballad.
These Days - David Paich (1973)
This song begins with just Jackson and his acoustic guitar with some slide guitar parts. It continues that way until just before the chorus when David Paich’s piano comes in at just under a minute. David’s piano is a welcome addition that makes the song whole. He gives good accompaniment including being a good match for David Lindley’s slide guitar. This song is a piano and guitar driven rock ballad.
Red Neck Friend - Elton John (1973)
We’re now increasing the pace to a full on rock song. It opens with David Lindley’s slide guitar which is soon joined by the piano. The piano is played by none other than Elton John. This slide guitar is prominent. Elton’s piano goes very well with David’s guitar playing. Eagle Glenn Frey provides noticeable harmony vocals during the chorus. The piano is most prominent in the chorus. Elton plays incredible rock & roll piano in the chorus featuring four glissandos in a row. In the final chorus he gives an instance of eight glissandos in a row. His piano playing is reminiscent of the piano in Bob Seger’s “Katmandu” (1975). I’m pleased that the Jackson Browne song Elton John played on is an intense rock song as that enabled him to feature his great rock & roll piano playing.
Fountain of Sorrow - Jai Winding (1974)
This is the first epic long song on this list. It opens with Jai’s piano which is soon joined by Jackson’s soothing vocals. The piano is supported by David Lindley’s guitar which provides interesting subtle accompaniment. The harmony vocals by Don Henley, Dan Fogelberg & J.D. Souther are gentle which match well with Jackson’s singing. At the five minute mark, there’s a short section with only the piano. It’s great how Jai plays the piano in a slow way while giving a clear rock vibe.
Your Bright Baby Blues - Roy Bittan (1976)
The song is initially driven by acoustic guitar and organ. About forty eight seconds into the song, the piano comes in. The piano gives off a gentle pop rock vibe. At three minutes and seventeen seconds, we get a slide guitar played by Lowell George that comes in via a solo. The slide guitar comes back in a subtle way in the last chorus before closing with another guitar solo. Roy Bittan’s piano playing is warm. This song reminds me of Bob Seger’s “Like A Rock” (1986) as they are both six minute rock ballads having acoustic guitar and organ in the first verse before the piano comes in and two slide guitar solos. Bill Payne who played the piano on “Like A Rock” (1986) plays the organ on this song and piano on the next one.
Here Come Those Tears Again - Bill Payne (1976)
We are now going to a shorter song after two long ones. This song starts with the song title being sung. The only instrument we hear is the piano for the first eighteen seconds. It’s interesting how the piano does sudden jumps in places. Mike Utley’s organ is featured prominently in parts of the song. It’s interesting that Jackson sings “You might look like a friend of mine” as he would later have a hit duet “You’re a Friend of Mine” with Clarence Clemons in 1985. Bonnie Raitt and Rosemary Butler sing powerful harmony vocals. This is a mid-tempo rocker with a full band sound. This song is driven by Bill’s melodic piano.
Running on Empty - Craig Doerge (1977)
This is one of Jackson Browne’s big hits. It opens with Craig’s piano notes. His piano notes in the song are iconic and instantly recognisable. This is a live song as no studio recording has been released. It rocks very well. Craig plays his piano fast and delivers good accompaniment to David Lindley’s two incredible slide guitar solos. While this song is more guitar driven, the piano has a good prominent place.
My Problem Is You - David Garfield (1995)
This is from an album by Cuban percussionist Luis Conte. It was recorded by Jackson a few years earlier which Luis played on. The original version has a pop rock sound whereas this version has a latin jazz sound. Luis plays congas and maracas on this. David Garfield’s latin piano playing gives off a relaxed lounge vibe. His playing is warm. A saxophone is featured. Parts of the song are sung in Spanish which wasn’t in the original version. The next two songs also have a latin vibe.
Lausoa Kristalean - Mikel Azpiroz (2011)
This is a duet with Basque singer Jabier Muguruza, who along with pianist Mikel Azpiroz are from Basque Country, an autonomous community in Northern Spain. It’s the only song on this list not written or co-written by Jackson. It’s an unusual collaboration which isn’t widely known. I hope this song is a nice surprise for Jackson Browne fans, finding a duet of his which they didn’t know existed. It opens with Mikel’s piano which is soon joined by Jabier’s singing in the Basque language Euskara. After the first verse, there is an accordion played by Jabier.
Jackson then sings a verse in English. His English singing offers a good contrast to Jabier’s singing in Euskara. We have another verse from Jabier with accordion before and after it. This is a slow ballad with few instruments that works very well. It has a good melody. Mikel and Jabier do a good job to make this song captivating with mainly the two instruments of piano and accordion. As the piano is my favourite instrument, I enjoy discovering a new style of music featuring piano. Special thanks to Mikel for answering my questions about this song via email.
A Song For Barcelona - Jeff Young (2021)
This is a new song which Jackson co-wrote with the five musicians in his band who play on it alongside Spanish musician Raúl Rodriguez who plays palmas (a Flamenco form of hand clapping). This song has a great beat. This is an epic eight and a half minute long latin rocker bringing back rock to this list. This is a very musical song with a great melody. It’s interesting to hear Jackson make reference to the “ninety-nine words for snow”. I wonder what that means.
Jeff fuses the latin and rock styles in his piano playing very well. The two guitarists Greg Leisz & Val McCallum provide great guitar playing. I like how Jackson refers to many different places in the world where people visit Barcelona from. Places he mentions include the US, Canada, Norway & China. Close to the seven minute mark, the song stops seemingly concluding especially by the specific piano notes. Four seconds later the song comes back powerfully with Jeff’s piano notes. It’s soon joined by Catalan singing by Jackson and the backing vocalists. The band gradually comes back, has a brief instrumental section followed by places in or near Barcelona sung solely by Jackson. This song is not only a celebration of Barcelona, but also a celebration of humanity.
While the first song “Jamaica Say You Will” is referring to a girl’s name, I am interested in different countries so I’m pleased how we’re both beginning and ending with an international destination in this list. This list went into rock and beyond. The rock songs covered rock ballads, soft rock, pop rock, mid-tempo rockers, intense 70s rock & roll and heartland rock. The latin flavoured songs cover jazz, Basque music and a latin rocker. The latin rocker “A Song For Barcelona” comes full circle fusing the two styles thus going back to rock, the primary genre of this article. Jackson Browne is known for being a rock artist. Jackson used piano less over the years and I’d like to see him make an album with a lot of piano again. Even though his debut album which opens this list was released in 1972, it was recorded in 1971 so these songs cover a 50 year period from 1971 to 2021.
David Paich is a keyboardist and founder member of the American rock band Toto. He sang their most popular song “Africa”. Toto is a band of session musicians, thus David has a prolific session career playing on numerous albums. In this article, I am featuring ten songs David has played keyboards on including one song by his band Toto. David is joined by most of his original Toto bandmates on some of the non-Toto tracks on this list. I had previously featured two songs David Paich played on in my article “Ten Great Piano Rock Songs by Ten Different Singers”.
These Days - Jackson Browne (1973)
This song begins with just Jackson and his acoustic guitar with some slide guitar parts. It continues that way until just before the chorus when David Paich’s piano comes in at just under a minute. David’s piano is a welcome addition that makes the song whole. He gives good accompaniment including being a good match for David Lindley’s slide guitar.
Put Out the Light - Joe Cocker (1974)
This is a soulful rocker featuring David Paich’s piano, wacky guitars, horns and powerful backing vocals. Joe Cocker sings with such passion. While the piano isn’t the loudest instrument, it has a great presence including some glissandos. The saxophone is there throughout a lot of the song including some solos.
Doctor Wu - Steely Dan (1975)
This is a piano driven soft rock song with a jazz influence as Steely Dan are a jazz rock band. David stated that he played on this song, so I’m assuming that the piano part is his. David is joined by his future Toto bandmate Jeff Porcaro who also plays on the next two songs. There is a saxophone through sections of the song including a solo. The guitar part is subtle. The piano playing is cool and melodic. The sax and piano goes in a more jazz direction towards the end of the song.
Lido Shuffle - Boz Scaggs (1976)
This is a popular song by Boz Scaggs which is co-written with David Paich. Elton John is an influence of David Paich which comes through in this song as it sounds like an Elton John song including its piano. The song features the bass and drums in the first twenty seconds until all the instruments come in. There are horns which are most prominent during the chorus. David is playing all the keyboards on this song which include piano and synths. He is joined by another future Toto bandmate, bassist David Hungate. Boz sings powerfully with his high voice. There are prominent synth parts in the last minute of the song which David doubles with his piano. Having both piano and synths gives a foreshadow of Toto’s sound.
Manuela Run - Toto (1978)
I’m now including a song by David Paich’s band Toto. This is a song from their 1978 debut album (which also features their hit song “Hold the Line”) which he wrote, played on and sang lead vocals. It opens with David’s piano riff which is played throughout the song. David sings “round” in an interesting way. Bobby Kimball sings good backing vocals. It also features good synthesizer playing by Steve Porcaro and a guitar solo by Steve Lukather. It has a unique end with a few piano notes followed by a closing door. This song is both pop rock and progressive rock.
The Retreat - Elton John (1980)
This is a great Elton John ballad about the American Civil War. The guitar is played by fellow Toto member Steve Lukather. It has Elton’s piano and singing for up until the end of the first verse. The full band comes in from the first chorus featuring prominent organ by David Paich and interesting guitar parts by Steve Lukather. The organ continues throughout the song and adds to it. There is a synthesizer by James Newton Howard which comes in during the last minute of the song. The synthesizer goes back and forth with the organ and then with the guitar.
Allies - Heart (1983)
This song features David Paich on piano and synth. It was written by Journey keyboardist Jonathan Cain and this song is somewhat reminiscent of the Journey hit “Don’t Stop Believin’” with its combination of piano and intense guitars. It opens with the piano and is soon joined by Ann Wilson’s voice. The strong guitars come in as brief interjections in the first verse before fully coming in during the chorus. Ann sings powerfully on this song, especially in the harder rocking parts. The verses are piano driven. There is a section with David’s piano playing with his synth which reminds me of Toto. This is an intense ballad featuring powerful rock piano.
New York Minute - Don Henley (1989)
This is an epic six and a half minute song which has a jazz influence. It opens with an orchestra that’s arranged by David Paich with flourishes of his piano. Following that there are keyboard notes which are soon joined by Pino Palladino’s bass and David’s piano. Jeff Porcaro’s drums and Pino’s bass have some jazz vibes. David’s piano too does this in the verses. Close to the two minute mark, Danny Kortchmar’s guitar brings rock to the song which goes away in the second verse and comes back for the chorus. African-American Christian vocal group Take 6 provide backing vocals during the chorus. At around the three minute and forty five second mark, the trumpet appears and has some notes throughout the remainder of the song.
There Is No Greater Love - Wayne Watson (1992)
As a Christian, I was pleased to find out that David Paich played on a Christian song. The opening orchestra notes are similar to the previous song. This song has the simple arrangement of piano and orchestra. Piano and orchestra without any guitar, bass and drums is not my favourite arrangement as that runs the risk of it being a boring ballad for me. Thankfully, that is not the case here. David plays his piano powerfully.
Please Forgive Me - Bryan Adams (1993)
David Paich’s acoustic piano comes for a short moment at the start of the song. What appears to be an electric piano replaces it until the chorus where the acoustic piano comes back. The acoustic piano is powerful when it returns. The chorus rocks with strong guitars and some hard hitting piano. This is a powerful rock ballad.
David has played on a variety of different rock styles featured here being pop rock, soft rock, hard rock, progressive rock, jazz rock and rock & roll. There is also a Christian song featured. These songs cover a twenty year period from 1973 to 1993. I’m a fan of piano in rock music and piano is featured in all of these songs. David played piano on all the songs except one which is played by Elton John. This is fitting as Elton is a hero of David’s. These songs showcase David Paich’s great piano & keyboard playing as well as his skills as a songwriter, singer, arranger and producer.
As I like piano in rock music, I decided to write an article featuring ten different piano rock songs. It’s similar to my previous articles ‘Ten Great Bob Seger Songs by Ten Different Piano Players’ and ‘Ten Powerful Rock Ballads by Elton John’. They are my two favourite singers and are featured in this article, with one of the songs from those articles featured here, but with different text. I’ll be featuring classic rock songs where I’m embedding official YouTube audio of these songs in it. This will allow you to listen to any or all of them if you wish. Not all the songs on this list feature piano solos or it being the loudest instrument, but they are songs I consider to be great featuring good use of piano.
157 Riverside Avenue - REO Speedwagon (1971)
This is from REO Speedwagon’s debut album, long before their popular period. Their first lead
singer who sings this song is Terry Luttrel. It opens with an impressive piano intro which is soon
joined by other instruments. This song has a ragtime influence. There is a special piano solo by Neal
Doughty and two great guitar solos by Gary Richrath. Terry sings like Bob Seger which is fitting as
there’s a reference to Mainstreet in it and “Mainstreet” would be one of Bob Seger’s hits released
five years later.
Rikki Don’t Lose That Number - Steely Dan (1974)
Followed by the marimba opening, Michael Omartian’s piano comes in, soon followed by Donald
Fagen’s singing. It has a light relaxed feel and does rock. The electric guitars are most prominent in
the chorus and there is a guitar solo which gives a sudden edge to the song making it more intense.
This song is jazz rock which beautifully mixes the two styles of music together. This was a Number
Four US hit for the band.
The Pretender - Jackson Browne (1976)
It opens with Jackson’s singing followed by Craig Doerge’s piano. Jackson sings with powerful
emotion, with parts of it being intense. It’s a mid-tempo rock song. It has great rock piano notes. The
drums are played by Toto drummer Jeff Porcaro who interestingly plays drums on the next two
songs.
Jump Street - Boz Scaggs (1976)
This is an intense rock song that sounds similar to “157 Riverside Avenue”, as both songs have a
ragtime influence. It is both piano and guitar driven, featuring incredible piano and strong guitars. It
sounds like Elton John which makes sense as the song was co-written by its piano player David
Paich who would soon form Toto. Elton John is an influence of Toto and two other Toto members are
also on this track. The next track is a Toto song written and sung by David Paich. The live version is
also worth checking out as it features the additions of organ and horns.
Lovers in the Night - Toto (1982)
This is an album track from Toto’s very popular album “Toto IV”. It opens with a dark and special
piano part played by David Paich. There are intense guitars by Steve Lukather and synthesizer
interjections by Steve Porcaro. Parts of the song go back and forth between the piano/synth
combination and the guitars. There are two great guitar solos which feature good piano
accompaniment.
I Don’t Wanna Go On With You Like That - Elton John (1988)
This song was a major US hit for Elton John reaching Number Two in the Billboard Hot 100. It’s
opened by Elton’s piano. There are also keyboards and subtle acoustic guitar. Elton is singing strong
and his piano matches well with his voice. In the end section Elton solos playing great piano and
gives a bit of singing.
I Go To Extremes - Billy Joel (1989)
This next song comes from American singer/pianist Billy Joel who has musical similarities with Elton
John. It sounds a bit like the previous song, but rocks harder as it has electric guitars on it. It’s
catchy with interesting lyrics. It has two powerful rock & roll piano solos by Billy. This is one of Billy’s
hits.
Running on Faith - Eric Clapton (1989)
This song is well known for its inclusion on Eric Clapton’s popular live “Unplugged” album in 1992. It
however first appeared on his “Journeyman” album three years ago in 1989. The studio version is
better than the live version as it benefits from the studio production. It was written by songwriter
Jerry Lynn Williams and first recorded by Eric Clapton. The first few seconds are piano played by
Greg Phillinganes. Greg plays along well with Eric’s acoustic guitar solo. Though there are a lot of
other instruments on this track, the piano provides great notes and can be heard. This song features
powerful drumming and choir.
The Fire Inside - Bob Seger (1991)
This song has incredible inspired piano playing by Roy Bittan including two beautifully complicated
solos. It’s guitar part is acoustic played by Toto’s Steve Lukather and there is good supporting organ.
This is great melodic songwriting that’s an example of Bob Seger at his best.
World Gone Crazy - The Doobie Brothers (2010)
Though this song is sung by original lead singer Tom Johnston, it has a Michael McDonald influence,
with its piano playing and composition. This song has elements of jazz in its piano and horns that
later come on. Tom is singing powerfully. At the two minute and twenty second mark, there is a
noticeable organ that goes on for twenty to twenty five seconds. This is followed by a musically
diverse section that begins with drumming only, a piano solo, back and forth between horns and
electric guitar and a saxophone solo before returning to the chorus. Bill Payne delivers incredible
piano playing on this song. As non-relationship songs are my favourite type of songs, I’m pleased to
conclude this list with one.
If you enjoyed this article, you might be interested in my similar article ‘Toto Tribute Album’ writing of an imaginary tribute album to Toto featuring all of the artists on this list (and others) except Toto. Quite a few of the session musicians on these songs have played on songs for other artists featured on this list.
