Heartland Rock Piano

As the piano is my favourite instrument and I listen to a lot of heartland rock, I decided to write an article discussing the heartland rock piano sound. I mention the use of piano in heartland rock songs ranging from big hits to album tracks. I’ll start with the song “American Storm” by Bob Seger & The Silver Bullet Band. Bill’s piano contributes wonderfully to the full band sound with his playing. The piano notes go up the scale in a very heartland rock way. In their other song “The Ring”, it’s led by the piano of Silver Bullet Band keyboardist Craig Frost. Craig brings an epic feel with his playing and has two solos. The Ring fuses heartland rock with pop rock.

The Ring - Bob Seger & The Silver Bullet Band (1986)

Tom Petty & The Heartbreakers had a piano-driven hit “Don't Do Me Like That”. Keyboardist Benmont Tench gives a memorable jolly piano part. Nearly a decade later, their song “Jammin’ Me” is a different type of heartland rock song. Benmont brings rock & roll piano sounds into a heartland rock setting. I love what the piano does in the chorus. In Billy Joel’s hit “Allentown”, he leads the song greatly with his piano playing. There is a great piano riff throughout the song.

Don’t Do Me Like That - Tom Petty & The Heartbreakers (1979)

Cleveland heartland rock singer Michael Stanley had released music both with the Michael Stanley Band and solo. When keyboardist Kevin Raleigh joined the band, he was a songwriter and co-lead singer. The songs I’m featuring have two keyboardists Kevin Raleigh and Bob Pelander. They both contributed piano and I don’t know who was the piano player for each song. I wonder if Kevin played piano on the songs he wrote and Bob played the piano on the songs Michael wrote. Last Night, written by both Michael and Kevin is opened by the piano which has a majestic presence on this song. There is a section in the song where the piano notes go up and down in an epic rocking way.

Last Night - Michael Stanley Band (1979)

Promises, a Kevin Raleigh written song has the verses sung by Michael with the choruses seemingly sung by both Kevin and Michael. The piano is lively and energetic. There is a nice glissando after the first chorus. The song “Lover” has a nice piano riff which comes in following the guitar intro. The piano part isn’t the loudest, but it contributes greatly to the song’s sound. My Town is an epic rocker about Michael’s hometown. While this is a guitar-driven song, the piano provides good support including prominent notes during the choruses. How Can You Call This Love written and sung by Kevin has powerful rocking piano playing. The piano goes fast with deep notes.

How Can You Call This Love - Michael Stanley Band (1983)

Bruce Springsteen’s piano player Roy Bittan played wonderful jolly piano on Bruce’s hits “Hungry Heart” and “Glory Days’. Roy gives those songs a great upbeat feel with his playing. Singer Southside Johnny’s song “It’s Been a Long Time” has three lead vocalists with the other two being Bruce and Bruce’s E Street Band guitarist Steven Van Zandt. Southside Johnny & the Asbury Jukes keyboardist Rusty Cloud provides a good musical base with his piano. Bruce Springsteen wrote, was one of the producers and his E Street Band played on the song “This Little Girl” by Gary U.S. Bonds. Roy’s piano fuses rock & roll and heartland rock sounds. He brings a similar jolly sound to what he brought to the Bruce songs I mentioned. I’ll continue mentioning other artists Roy played for.

Glory Days - Bruce Springsteen (1984)

On the Dire Straits song “Skateaway”, Roy’s piano comes about a minute into the song. Roy alternates between slow playing and fast playing. In the choruses, Roy plays in an epic way with his piano rocking in sync with the drums. Roy is driving the heartland rock sound of this song. In Dire Straits' more popular song “Romeo and Juliet” from the same album, Roy plays melodically. Roy’s strongest moments in the song have a very heartland rock feel. He backs Mark Knopfler’s guitars (which are both acoustic and electric) very well. Michael Stanley did a very good cover of this song. He’s an American heartland rock artist covering a heartland rock song by an English band going back musically to where it came from. The piano by Bob Pelander is more prominent than the original. Some people will hate what I’m about to say. I think it’s better than the original.

Skateaway - Dire Straits (1980)

Even Now is my favourite Bob Seger song. It’s one of his forgotten US hits. Roy’s piano goes up and down the scale in an incredible way. The piano matches greatly with Bob’s vocals with there being sections where Roy’s notes seem to be a musical response to what Bob sang. On “Roll Me Away”, another hit from the same album, Roy gives us majestic rocking piano. Another song Roy played for Bob is “The Fire Inside”, an epic rock song nearly six minutes long. It’s led by the piano and the fact that the guitar part is acoustic gives more room for the piano to rock. Roy’s piano is incredible and detailed which includes two solos.

The Fire Inside - Bob Seger & The Silver Bullet Band (1991)

On Jackson Browne’s “Here Come Those Tears Again”, Bill Payne plays piano in a warm way. The piano gives off its heartland rock vibes in the way the notes jump from one place to another. Jackson Browne’s epic rock song “The Fuse” has Craig Doerge play incredible heartland rock piano. Craig’s piano has deep dark notes that are so effective. The piano goes very well with David Lindley’s slide guitar. I love how Jackson fuses piano and guitar in a heartland rock setting in many of his songs. Jackson’s classic song “The Pretender” has rich piano from Craig. In parts of the song, the piano shifts from one note to another. 

The Pretender - Jackson Browne (1976)

Running on Empty is a faster rock song driven more by guitar, but Craig’s piano is still a big part of the song. It has an iconic piano opening. Craig incorporates rock & roll influences while maintaining the heartland rock sound. That Girl Could Sing is a case where Jackson played piano on one of his own songs. Jackson’s piano is catchy and has both slower and faster sections. In “For America”, the piano by Jai Winding has sections going back and forth between musical notes. It also has a few short parts led by the piano. Jai’s piano holds this guitar-driven song together very well. Jackson’s lyrics are thought provoking, especially in relation to America’s current issues and 250th anniversary.

That Girl Could Sing - Jackson Browe (1980)

So far these songs by classic rock artists were in the 20th century, with most of them being in the 70s and 80s. I’ll now feature three 21st century songs from classic rock artists. In Michael Stanley’s solo song “My Brand New Day”, Bob Pelander offers amazing, rich piano playing filled with depth. Elton John did a rare case of a heartland rock song in “England and America” ten years ago. Elton showcases his brilliant piano skills by playing different to the way he normally plays where he nails the heartland rock piano sound. Bob Seger’s “Forward Into the Past” is a guitar-driven song, but it’s supported well by Bill Payne’s piano. Bill brings out prominent piano notes in parts of the song which contribute greatly to its rock sound.

My Brand New Day - Michael Stanley (2009)

Companion Articles

I’m providing links to previous articles of mine which are companion articles as they discuss some of the same songs.

Ten Great Jackson Browne Songs by Ten Different Piano Players

Russ Kunkel’s Drumming for Bob Seger

Bill Payne’s Keyboards for Bob Seger

Ten Great Rock Songs Opening Albums

Ten Great Heartland Rock Songs

Six Strong Silver Bullet Band Work for Bob Seger

These songs show the prominent place piano has in heartland rock music. I like the fact that many of them feature a piano/organ combination. They cover a wide range on the rock spectrum going from soft to hard rock. Some of them fuse heartland rock with other styles such as rock & roll and pop rock. Most of the songs are by American artists, but I did include two English artists. They are Dire Straits and Elton John who fuse English rock with American heartland rock in the songs of theirs I featured. Elton’s song is apt for this as it’s literally about England and America. Heartland rock is a genre which has some epic long rock songs like “The Pretender” and “The Fire Inside”. I’d be interested in hearing what you think of the heartland rock piano sound.

Magical Music of 1978

As a music fan, I consider 1978 to be a fantastic year for music. There were many popular songs that resonated with me from that year. I decided to write an article talking about the magical music of 1978.

The first song I’m mentioning is “Hold the Line” by Toto. It opens with the rocking piano riff by David Paich who also wrote the song. Steve Lukather provides great guitar and lead singer Bobby Kimball sings intensely in this incredible rocker. Georgy Porgy by the same band has both a soft rock and a jazz rock feel. Steve Lukather sings the verses and the choruses are sung by guest singer Cheryl Lynn. Steve gives an enjoyable jazz influenced guitar solo in this relaxing song.

Hold the Line - Toto

I’m now moving on to Toto’s Columbia labelmates Journey. Wheel in the Sky is a hard rock song with an aggressive feel. Steve Perry sings powerfully, there’s a great guitar solo by Neal Schon and Gregg Rolie underpins the song well with his piano. The next song “Lights” is my favourite Journey song. Like with Toto, we go from a hard rock song to a soft rock song. Lights is incredible with its melody, piano, Steve’s singing, guitar solo, organ and rock feel.

Lights - Journey

I’m a big Bob Seger fan. He’s one of the topics I write about on this blog. These are four songs by him. His signature song “Old Time Rock & Roll” is a rock & roll tribute to that music of the 1950s. We’ve Got Tonight is a special melodic piano ballad with Bob showing his softer side. Hollywood Nights has a hard rock feel unlike the previous two. Bob’s guitars drive the song and he’s backed well by Bill Payne’s keyboards (piano & organ). David Teegarden’s double drums give a special sound. Still the Same is a catchy ballad that takes in some country influences. Bob does double duty on piano (including a solo) and acoustic guitars. All these great songs come from Bob’s album “Stranger in Town” which is the first album of his I listened to 15 years ago.

We’ve Got Tonight - Bob Seger

Warren Zevon’s “Werewolves of London” is a funny satirical comedy rock song. Its simple piano notes are repeated on a consistent loop. This is done creatively as the song isn’t repetitive. Warren sings other melodies over his piano part. The Power of Gold by Dan Fogelberg & Tim Weisberg is sung by Dan who also plays piano and guitars. He doubles the two instruments very well including playing a great guitar solo. Album collaborator Tim Weisberg plays flute. Eric Clapton had a warm soft rock US hit “Promises”. This ballad features Dick Sims’ relaxing keyboards (electric piano & organ) and good guitar parts.

The Power of Gold - Dan Fogelberg & Tim Weisberg

The following songs all have acoustic piano, electric piano, saxophone, guitar and orchestra. Scottish singer Gerry Rafferty had the worldwide soft rock hit “Baker Street” that’s very musical. The sax part comes repeatedly in the song to great effect. The guitar solo contrasts well with the sax. We’ll move on to another singer born in Scotland Al Stewart. He grew up in England and is US based. His US hit “Time Passages” is another six minute soft rock song. There are two solos in a row which are Spanish influenced acoustic guitar and sax ones followed by electric guitar parts. English singer Chris Rea is a one-hit wonder in the US unlike in his country. His US hit “Fool (If You Think It’s Over)” is driven by electric piano and an acoustic piano is featured in much of the song. Chris gave us a special melodic ballad.

Fool (If You Think It’s Over) - Chris Rea

We’re going from one fool song to another. The previous three songs all have a British sensibility (including US based Al Stewart). This time it’s to America with soul influenced soft rock by Michael McDonald’s version of The Doobie Brothers. In “What a Fool Believes”, Michael’s piano riff is brilliant and he sings greatly. Synths also form a major part of the song and they are played by Michael and Bill Payne (the keyboardist on Bob Seger’s “Hollywood Nights”). On “Minute by Minute”, Michael plays electric piano. The synth parts are different from the previous song. Michael sings expressively and is supported well by the backing vocals.

What a Fool Believes - The Doobie Brothers

Michael wrote the previous two songs with Kenny Loggins & Lester Abrams. He co-wrote “Dependin’ on You” with bandmate Patrick Simmons. This was a minor hit unlike the previous two. Patrick sings this song and brings more rock into this version of the band. Michael gives good rock & roll piano and backing vocals. There is rocking guitar including solos. Horns have a good presence. This rock song is fused with soul and a hint of jazz.

Dependin’ on You - The Doobie Brothers

Billy Joel gave us the powerful rock ballad “Honesty” with his rich piano. It’s a moving song that’s very melodic and rocks. I'm a big Elton John fan and he had two global hits that year. Part-Time Love was big when it came out except the US where it was a minor hit. This song has been forgotten now. It’s a pop rock song with a soul influence. Elton’s original guitarist Davey Johnstone plays great lead guitar backed on rhythm guitar by Tim Renwick who was the main guitarist on the “A Single Man” album. Elton’s other hit was “Song for Guy” which was popular globally except the US. This instrumental pop song features Elton on piano & keyboards accompanied by percussion and bass. Elton sings some words near the end.

Part-Time Love - Elton John

List of Articles Featuring these Songs

Below are articles where I featured these songs in a list with it described in a paragraph plus an article about the original demo of “Old Time Rock & Roll” which compares it with the released version. I provide links to these articles.

Ten Great Bob Seger Songs by Ten Different Piano Players

Old Time Rock & Roll - Bob Seger

We’ve Got Tonight - Bob Seger

Ten Great Universal Music Group Songs

Still the Same - Bob Seger

Promises - Eric Clapton

The Original Version of Old Time Rock & Roll

An article about the original demo of the song by George Jackson. Both George’s version and Bob’s version are embedded and compared.

Conclusion

I'm going to make comments and comparisons about these songs. The saxophone was popular during this period which included memorable sax parts in “Old Time Rock & Roll” and “Baker Street”. There are iconic piano riffs for songs in different types of rock which are hard rock (“Hold the Line”), rock & roll (“Old Time Rock & Roll”), comedy rock (“Werewolves of London”) and soft rock (“What a Fool Believes”). It was common to have piano ballads featuring orchestra as seen most prominently in “Honesty” and “We’ve Got Tonight”.

I love the fact that so many of these songs are by singing pianists. It includes the two biggest names in that field who are Elton John (“Part-Time Love”) and Billy Joel (“Honesty”). Michael McDonald did this with The Doobie Brothers’ hits “What a Fool Believes” and “Minute by Minute”. Warren Zevon’s piano part for his hit “Werevolves of London” is memorable. Chris Rea who’s known as a guitarist played acoustic piano on “Fool (If You Think It’s Over)”. This was an anomaly in his career where he didn’t play guitar on one of his songs. Bob Seger played piano and acoustic guitar on “Still the Same”. Dan Fogelberg played piano & guitar even more impressively on “The Power of Gold” with him playing rock piano, electric & acoustic guitars including a solo.

These songs are melodic and reflect great things music can do. They are reflective of the year 1978, but do so in a timeless way that transcends that year. They continue to resonate in 2025 and will continue doing so in the years going forward.

Ten Great Rock Songs Opening Albums

I decided to write an article about ten great rock songs that open albums. I wrote about a few of the songs with different text before in previous articles. In the headings, I mention the song and the artist followed by a colon with the album name. Let’s begin.

Funeral for a Friend / Love Lies Bleeding by Elton John: Goodbye Yellow Brick Road (1973)

This is an epic progressive rock opener from Elton John’s most popular studio album. It opens with atmospheric effects and bells followed by David Hentschel’s synth playing. Elton’s piano then comes with the other instruments being subtle. Soon it goes into a full band sound with Davey Johnstone providing a guitar solo. David Hentschel’s synth parts add to the song. Funeral for a Friend is the instrumental part of the song and “Love Lies Bleeding” is the second half featuring Bernie Taupin lyrics sung by Elton. In “Love Lies Bleeding”, bassist Dee Murray’s part is noticeable. This song showcases Elton John’s strength as a rock artist as it rocks so hard.

Nothing but the Truth by Procol Harum: Exotic Birds and Fruit (1974)

Both this song and the previous one overlap as they are both by English artists from the same time period and Procol Harum are a progressive rock band. Lead singer and piano player Gary Brooker leads the song with his piano playing. His opening piano riff rocks great and comes back a few more times. The arrangement is expansive with a subtle orchestra included. This is a powerful catchy rock song with its incredible chorus.

Once or Twice by Chicago: Chicago X (1976)

This song goes in a different direction to the previous ones as this is jazz rock. It’s written and sung by original Chicago guitarist Terry Kath. The signature Chicago horns are a big part of the song including a saxophone solo. I like Robert Lamm’s rock and roll piano. It’s creative to feature that kind of piano playing in a jazz rock song. Terry provides a tough vocal which is suitably powerful.

Running on Empty by Jackson Browne: Running on Empty (1977)

This is the title track from Jackson Browne’s “Running on Empty” album of original songs recorded entirely on the road, with some of it recorded live such as this one. The song is led by the guitar and features the piano well. Pianist Craig Doerge’s notes are an important part of this song. David Lindley provides two incredible slide guitar solos. Jackson crafted a memorable melodic piece of heartland rock reflecting the US at that time.

Say You’ll Be Mine by Christopher Cross: Christopher Cross (1979)

This is from Christopher Cross’s self-titled debut album. Christopher sings with passion in his voice. Jay Graydon provides a guitar solo that’s both relaxing and rocking. I detect a possible jazz influence in Jay’s solo. Michael Omartian’s piano notes work well in the song. Nicolette Larson gives good backing vocals singing well with Christopher. This is an enjoyable form of yacht rock.

Running Man by Al Stewart: 24 Carrots (1980)

It opens with backing vocal singing, piano notes and other instruments including guitar. Following this section, there is the main piano riff which is soon doubled by guitar. This song has a good mix of piano and guitar. There is a latin sounding acoustic guitar solo. I like the percussion beat. Al Stewart brings his signature brand of soft rock.

I’ll Never Need Anyone More by Michael Stanley Band: Heartland (1980)

This song by the Michael Stanley Band is written and sung by Michael. It’s guitar driven and features good piano backing. There is a strong guitar solo in the middle. I like the fact that this song has three keyboards which are piano, organ and synth. The synth effects near the end are nice. I like this heartland rock sound.

Rosanna by Toto: Toto IV (1982)

This song opens with Jeff Porcaro’s epic drumming. The singing alternates between guitarist Steve Lukather and lead singer Bobby Kimball in the verses. I like the sound of the band singing together in the choruses. Steve Porcaro provides a synth solo followed by Steve Lukather’s guitar solo which contrasts well. David Paich who wrote the song provides a great piano part which holds the song together. I assume the organ part near the end is by David. It’s nice to hear jamming by David Paich and Steve Lukather in the final section.

Allentown by Billy Joel: The Nylon Curtain (1982)

This song is about the American town of Allentown, Pennsylvania. It opens with a train noise. Billy’s piano leads the song well with it being the most prominent in the verses. There are cool percussion and sound effects repeated throughout. The percussion is by drummer Liberty DeVitto and Billy seems to be doing the sound effects. This song shows Billy's strength in writing and singing a melodic rock song. It’s good how Billy stretches certain words he sings. There is a prominent rocking guitar part near the end.

Even Now by Bob Seger: The Distance (1982)

This is one of Bob Seger’s lesser known hits. It has an epic intro. This song is very melodic with incredible piano by Roy Bittan. Former Eagles guitarist Don Felder plays the guitar. Bob’s saxophonist Alto Reed provides good support. Bob gives incredible singing showcasing his vocal range. I love how he sings both the lead vocals and the backing vocals in the chorus. Bob ends with singing “Even Now” stretched out followed by guitar & piano parts and Craig Frost’s organ notes which close the track. This is my favourite Bob Seger song.

This was my selection of rock songs I like that open albums. I tried to feature a balance of popular and lesser known songs. Interestingly, I recently listened to Elton John’s “Goodbye Yellow Brick Road” and Jackson Browne’s “Running on Empty” albums from this article in 5.1 surround sound which sounded very good in that format.