We’re starting with the “Beautiful Loser” album in 1975. The MSRS on this album had a second keyboardist, Spooner Oldham. The title track is a warm melodic ballad. Barry Beckett’s piano has a strong presence. He gives a good piano solo and also plays synth parts. The electric piano rocker “Black Night” is a case where the MSRS is augmented by an SBB member, being lead guitar by Drew Abbott. The electric piano would be played by Barry or Spooner. Drew also played guitar with the MSRS on the rock & roll song “Katmandu”. Barry gives great rock & roll piano including glissandos near the end.
We’re now going to the 1976 “Night Moves” album. The rocker “Sunspot Baby” opens with piano and is joined by guitar. Barry’s piano and Pete’s guitar go well together in this song. Pete has two amazing guitar solos. Roger rocks well with his powerful drumming. Rock ballad “Mainstreet” has incredible guitar by Pete Carr throughout it. Barry is on both piano and organ. David’s bass guitar gives deep notes that enrich the song. The ballad “Ship of Fools” is led by Pete’s acoustic guitar and Barry’s piano. Silver Bullet Band guitarist Drew Abbott plays guitar licks on it.
Sunspot Baby (1976)
Mainstreet (1976)
The following album is 1978’s “Stranger in Town”. The iconic “Old Time Rock & Roll” is written by George Jackson, Thomas Earl Jones III and Bob Seger in an uncredited capacity for re-writing the lyrics. Bob recorded his vocals over the original demo and added his saxophonist Alto Reed on it. The piano is played by Randy McCormick who was also involved with the MSRS and opens the song with its legendary intro. The guitars are played by different guitarists, Ken Bell and Forrest McDonald (lead).
A few members of the Eagles played guitar solos with the MSRS. Till it Shines featured the guitar solo by Glenn Frey. Don Felder played the guitar solo on the Frankie Miller cover “Ain’t Got No Money”. Barry gives great rock & roll piano notes near the end of that song. The popular ballad “We’ve Got Tonight”’s main instrument is Barry’s piano. Roger drums effectively where he alternates between playing softly and fully charged. David’s bass playing suits the song well. The Famous Final Scene is also a ballad with Barry on piano & organ and featuring orchestra. It’s more rock sounding than the previous song with Pete’s guitars throughout. All the instruments play strongly, matching well with Bob’s singing.
Ain’t Got No Money (1978)
The Famous Final Scene (1978)
On 1980’s “Against the Wind” album, the band is augmented by Randy McCormick of “Old Time Rock & Roll” on organ. The rocker “Long Twin Silver Line” is driven by Pete’s guitars. It opens with the guitars and is followed by Barry’s piano coming in via a glissando. Barry plays rock & roll piano notes which are louder in parts of the song such as the chorus. Pete plays a rocking guitar solo with subtle country influences. Randy’s organ has a stronger presence on the next two songs. They are both ballads with a soft rock feel. The guitars feature a good mix of acoustic and electric. I wonder if Jimmy is playing the acoustic guitar parts. Fire Lake features Don Henley, Glenn Frey and Timothy B. Schmit of the Eagles on wonderful backing vocals. Barry’s piano and Randy’s organ go well together. Shinin’ Brightly is a positive, optimistic song. Throughout “Shinin’ Brightly”, Randy’s organ does great musical explorations. Barry does a bit of rock piano near the end.
Fire Lake (1980)
These songs are very well produced by Bob Seger and the MSRS. The MSRS are a great band who wonderfully support Bob Seger’s brand of American rock music. They are able to perform intense rockers, slow ballads and everything in between.The Muscle Shoals Rhythm Section are an important part of the legacy of Bob Seger’s music. If you enjoyed this article, you might be interested in my previous article “Bill Payne’s Keyboards for Bob Seger”.
