The S Blog deals with the interests of a Sri Lankan abroad and is called The S Blog due to the many S topics covered. They include Sri Lanka, Songs, Bob Seger & The Silver Bullet Band, Science Fiction, Star Trek and even other non S topics.
As Sri Lanka & sci-fi are two topics discussed on this blog, I decided to write about “Kurumitto” a Sri Lankan sci-fi song by the popular Sri Lankan band The Gypsies. It is a cover of the Dutch song “Smurfsången” by singer Father Abraham. The original song was in Dutch and The Gypsies version is in Sinhalese & changed the topic from smurfs to aliens. This song is baila, a type of Sri Lankan music. I’ll be embedding the original version/music video of the song below that The Gypsies themselves have uploaded to YouTube and give my thoughts on both the song & video.
I like how this Gypsies song has prominent piano as piano is my favourite instrument. I’m pleased that the piano is louder in the mix than the most well known 2003 re-recording of this song featured on The Gypsies album “The Beginning”. You can also listen to the official audio of that version on YouTube. Speaking of piano, I had written another blog post tying sci-fi to songs I like using piano, that being “Sci-Fi Elton John Songs”. This song has some similarities to Elton John, with it being a bit like Elton John’s “Crocodile Rock”, which I will come to later. The video starts off with weird sound effects and a spaceship. We then move to a shot of the short aliens in an interesting effect where the aliens are in a white silhouette. The aliens get out of their spaceship into a black background with a big blue line. Then we move to a full colour shot with Gypsies lead singer Sunil Perera singing. This is followed by the aliens (now also in full colour) singing in a high pitched way which is obviously created by speeding up their voice. The verses of the song feature back and forth between Sunil and the aliens. The song’s chorus has the aliens going on “lal lal lal lal lal lal lal lal la …” which is reminiscent of the “la la la la la …” in Elton John’s “Crocodile Rock”. The aliens say bye and become a white silhouette again, this time with a colour changing background. The background becomes fully black and the aliens walk into their spaceship. The spaceship sound effects come again and the spaceship flies over the screen in white as basic computer graphics. This video is a good colourful video giving us a look back into 1980s Sri Lankan culture.
This is a good Sri Lankan song. I’d be interested to hear from those who were alive when the original
song came out and if seeing the video again brought back memories. Also, feel free to give your
As I like piano in rock music, I decided to write an article featuring ten different piano rock songs. It’s similar to my previous articles ‘Ten Great Bob Seger Songs by Ten Different Piano Players’ and ‘Ten Powerful Rock Ballads by Elton John’. They are my two favourite singers and are featured in this article, with one of the songs from those articles featured here, but with different text. I’ll be featuring classic rock songs where I’m embedding official YouTube audio of these songs in it. This will allow you to listen to any or all of them if you wish. Not all the songs on this list feature piano solos or it being the loudest instrument, but they are songs I consider to be great featuring good use of piano.
157 Riverside Avenue - REO Speedwagon (1971)
This is from REO Speedwagon’s debut album, long before their popular period. Their first lead
singer who sings this song is Terry Luttrel. It opens with an impressive piano intro which is soon
joined by other instruments. This song has a ragtime influence. There is a special piano solo by Neal
Doughty and two great guitar solos by Gary Richrath. Terry sings like Bob Seger which is fitting as
there’s a reference to Mainstreet in it and “Mainstreet” would be one of Bob Seger’s hits released
five years later.
Rikki Don’t Lose That Number - Steely Dan (1974)
Followed by the marimba opening, Michael Omartian’s piano comes in, soon followed by Donald
Fagen’s singing. It has a light relaxed feel and does rock. The electric guitars are most prominent in
the chorus and there is a guitar solo which gives a sudden edge to the song making it more intense.
This song is jazz rock which beautifully mixes the two styles of music together. This was a Number
Four US hit for the band.
The Pretender - Jackson Browne (1976)
It opens with Jackson’s singing followed by Craig Doerge’s piano. Jackson sings with powerful
emotion, with parts of it being intense. It’s a mid-tempo rock song. It has great rock piano notes. The
drums are played by Toto drummer Jeff Porcaro who interestingly plays drums on the next two
songs.
Jump Street - Boz Scaggs (1976)
This is an intense rock song that sounds similar to “157 Riverside Avenue”, as both songs have a
ragtime influence. It is both piano and guitar driven, featuring incredible piano and strong guitars. It
sounds like Elton John which makes sense as the song was co-written by its piano player David
Paich who would soon form Toto. Elton John is an influence of Toto and two other Toto members are
also on this track. The next track is a Toto song written and sung by David Paich. The live version is
also worth checking out as it features the additions of organ and horns.
Lovers in the Night - Toto (1982)
This is an album track from Toto’s very popular album “Toto IV”. It opens with a dark and special
piano part played by David Paich. There are intense guitars by Steve Lukather and synthesizer
interjections by Steve Porcaro. Parts of the song go back and forth between the piano/synth
combination and the guitars. There are two great guitar solos which feature good piano
accompaniment.
I Don’t Wanna Go On With You Like That - Elton John (1988)
This song was a major US hit for Elton John reaching Number Two in the Billboard Hot 100. It’s
opened by Elton’s piano. There are also keyboards and subtle acoustic guitar. Elton is singing strong
and his piano matches well with his voice. In the end section Elton solos playing great piano and
gives a bit of singing.
I Go To Extremes - Billy Joel (1989)
This next song comes from American singer/pianist Billy Joel who has musical similarities with Elton
John. It sounds a bit like the previous song, but rocks harder as it has electric guitars on it. It’s
catchy with interesting lyrics. It has two powerful rock & roll piano solos by Billy. This is one of Billy’s
hits.
Running on Faith - Eric Clapton (1989)
This song is well known for its inclusion on Eric Clapton’s popular live “Unplugged” album in 1992. It
however first appeared on his “Journeyman” album three years ago in 1989. The studio version is
better than the live version as it benefits from the studio production. It was written by songwriter
Jerry Lynn Williams and first recorded by Eric Clapton. The first few seconds are piano played by
Greg Phillinganes. Greg plays along well with Eric’s acoustic guitar solo. Though there are a lot of
other instruments on this track, the piano provides great notes and can be heard. This song features
powerful drumming and choir.
The Fire Inside - Bob Seger (1991)
This song has incredible inspired piano playing by Roy Bittan including two beautifully complicated
solos. It’s guitar part is acoustic played by Toto’s Steve Lukather and there is good supporting organ.
This is great melodic songwriting that’s an example of Bob Seger at his best.
World Gone Crazy - The Doobie Brothers (2010)
Though this song is sung by original lead singer Tom Johnston, it has a Michael McDonald influence,
with its piano playing and composition. This song has elements of jazz in its piano and horns that
later come on. Tom is singing powerfully. At the two minute and twenty second mark, there is a
noticeable organ that goes on for twenty to twenty five seconds. This is followed by a musically
diverse section that begins with drumming only, a piano solo, back and forth between horns and
electric guitar and a saxophone solo before returning to the chorus. Bill Payne delivers incredible
piano playing on this song. As non-relationship songs are my favourite type of songs, I’m pleased to
conclude this list with one.
If you enjoyed this article, you might be interested in my similar article ‘Toto Tribute Album’ writing of an imaginary tribute album to Toto featuring all of the artists on this list (and others) except Toto. Quite a few of the session musicians on these songs have played on songs for other artists featured on this list.